Maureen Fenton-Hansen Abstract Paintings

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

"Vivid Looping Lines on Turquoise" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and u...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. D...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. ...

"Vivid gestures on Vanilla" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique s...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. ...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. D...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. D...

Deborah Dancy State of Being 20, 2021 acrylic on paper 38 x 30 in. (dan041) This original contemporary abstract work on paper by Deborah Dancy is comprised of black, white, and grey paint, in her signature built up/re-built space that as she says, "operate in a realm in which beauty and tension simultaneously exist without explanation or narrative." Deborah Dancy is an abstract artist. Her paintings and drawings are sensuous provocations beset with marks that guide, then abruptly collide into confrontational slabs of color. There is an atmosphere of complex but urgent tension in her work, as she builds tangential linear demarcations, and abutting shapes, that provoke, entice and disrupt; -taking us everywhere and nowhere. From densely painted forms to more minimally declared images, Dancy’s work operates in the recognition that meanderings, intentional and accidental declarations are best when the beautiful and the disconcerting exist simultaneously. Deborah Dancy was born in Bessemer, Alabama and raised in Chicago, Illinois. She earned BFA from Illinois Wesleyan University and an MS and an MFA from Illinois State University. She is the recipient of John Simon Guggenheim Foundation Fellowship, a Yaddo Fellow, and a National Endowment of the Arts NEFA award. Her work is in many collections including The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum and The Detroit Institute of Art. N’Namdi Contemporary Miami, Robischon Gallery...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...