Max Papart Art

Aquatint with carborundum Signed and numbered in pencil

Etching in colors on paper. Hand signed and numbered by Max Papart. Image size 31 x 25 inches. Sheet size 39 x 31 inches. Frame size approx 44 x 37 inches. Edition HC IX/XV. Ar...

Lithograph in colors on paper. Hand signed and numbered by Max Papart. Image size 31 x 25 inches. Sheet size 39 x 31 inches. Frame size approx 44 x 37 inches. Edition of 90. Ar...

This incredibly stylish piece by this highly sought after artist evokes the essence of the 1950s with its jaunty Cubist style. The piece is in shabby chic condition and could be enjo...

Artist: Max Papart Title: Untitled 1 Medium: carborundum etching Size: 32 x 42 Inches Signed: Hand Signed Edition: Edition of 90

Artist: Max Papart Title: Untitled 2 Medium: carborundum etching Size: 32 x 42 Inches Signed: Hand Signed Edition: Edition of 90

Artist: Max Papart Title: Triptych Medium: 3 carborundum etchings Size: 32 x 42 Inches each Signed: Each pieces Hand Signed Edition: 78/90 matched numbered Year: 1988

Engraving Handsigned by the artist in pencil and numbered 6/100 76.00 cm. x 53.50 cm. 29.92 in. x 21.06 in. (paper) 60.00 cm. x 47.50 cm. 23.62 in. x 18.7 in. (image) The French a...

Unique Mid-century original mixed-media newsprint and crayon collage/drawing by French artist Max Papart, signed with dedication and dated 1967 to the bottom right. The work is on th...

Modern abstract etching of brown, black, and green shapes by Max Papart (French, 1911-1994). Signed "Max Papart" in the lower right corner, and numbered "36/120" in the lower left. Presented in a new grey mat with foamcore backing. Paper size: 29"H x 21.25"W Max Papart (1911-1994) was born in Marseilles, France, and learned engraving in Paris in the mid 1930s. He was influenced by Cranach, Delacroix, Matisse, Klee, and his friend Jacques Prevert. He began using the carborundum etching technique (invented by Henri Goetz) in 1960, and though of his pieces as "compositions" rather than "paintings." Papart created art in a "semi-cubist" style, and did not attribute specific meaning to his work, preferring the viewer to respond to the piece in accordance with their own experiences. Master printmaker, born in Marseille, Max Papart learned the techniques of classic engraving...

Smile of Gilda by Max Papart, French (1911–1994) Date: 1970 Lithograph, signed and numbered in pencil Edition of 94/120 Image Size: 24 x 18 inches Size: 30 x 20 in. (76.2 x 50.8 cm) ...

'From Now to Antiquity', oil on canvas, by Max Papart (circa 1950s). A delightfully curious painting very similar in subject and style to another he called 'the Artist's Workshop (1957)'. Perhaps this is another view of his atelier? There is a classical statue of a female figure. To the (viewer's) left of the statue appear the brushes and accoutrements of the artist. Further along may be the canvas on its easel. Although I have speculated about the painting's subject, Papart always believed that each painting has its own meaning and needed no interpretation from him. His paintings, in his own words, 'force the viewer to think, and it is for the viewer to respond to the art based on their own personal experiences (Rogallery). The artwork is in good overall condition having recently been cleaned by an art restoration specialist. It is also newly framed. The artist signed the work in the lower right hand. About the Artist: Max Papart (1911-1994), was born in Marseille, France and later moved to Paris where he learned the techniques of classic engraving...