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McKenney Hall Prints

Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders.
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Creator: McKenney Hall
19th C. American European Lithos Engravings Feat. Native Americans Subjects
By McKenney Hall
Located in Morristown, NJ
Collection of 19th Century American and European Lithographs & Engravings Featuring Native American Subjects A compelling group of four framed 19th-century prints, including two fin...
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Mid-19th Century American American Colonial Antique McKenney Hall Prints

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McKenney and Hall Hand-Painted Lithograph "Chippeway Widow", circa 1837
By McKenney Hall
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"Chippeway Widow" hand-painted color lithograph on paper depicts a Native American Indian woman lamenting the death of her husband, presum...
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1830s Native American Antique McKenney Hall Prints

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Paper

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Pair of Original Hand Colored McKenney Hall Lithographs of American Indians
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Mckenny and Hall Hand-Painted Lithograph "Paddy-Carr Creek Interpreter", 1838
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McKenney and Hall Hand-Painted Lithograph Rant-Che-Wai-Me , circa 1837
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"Rant-Che-Wai-Me " translates to " Female Flying Pigeon " which is indicated on this hand-painted color lithograph, made by McKenny and Hall and dated 1837. It was published by E.C. Biddle in Philadelphia, Pennsylvania and is one of the many Indians (approximately 120) that are portrayed in the major work, "History of The Indian Tribes of North America, Volumes 1-3" by Thomas McKenny and James Hall (from the Library of Congress). Along with Catlin's "North American Indian Portfolio" these are the two most important works of 19th century North American Indian study. McKenny's work was based on his travel of the west in the late 1820's. Thomas Hall was the "academia" member of the team. Charles Bird King painted the Indian portraits which hung in the Indian Gallery of the War Department. One by one the chiefs and other Indians were brought in to sit for portraits. Other portraits were loosely based on another painter who had traveled with McKenny, J.O. Lewis. The book with the folios and hand-painted lithographs was done in 1836. The significance of this is, that following the transfer of the paintings to the Smithsonian all of the paintings were destroyed in a fire in 1865. So all we have to chronicle those images are these McKenny-Hall lithographs. Any complete versions of McKenny's folio work are very rare and exist in a few private collections, museums, the Smithsonian etc. There are very few complete versions and most of the lithographs have been removed for framing to display as was this one. This is an authentic and original first edition dated 1837 from the "History of The Indian Tribes of North America" by McKenny and Hall. One way to validate authenticity is that on most of the folios the print comes through slightly on the front from leaving it's mark on the back of the page. Along with the folio, each Indian or scene was described in detail. This is a wonderful, authentic and original, article of Americana Provenance: This particular lithograph has impressive provenance having come from the Sondley Library in Asheville, North Carolina. It had been bequeathed to that library by Forster Alexander Sondley (1857-1931). F.A. Sondley was a successful attorney who studied American history and geography and collected Civil War and American Indian artifacts. The seal of the Sondley library is impressed as a round circle on the lithograph. A simple but elegant one inch gold leaf frame surrounds the lithograph which is: 19" wide x 23 3/4" high in frame; 17" wide x 21 3/4" high under glass; and matted to 10 1/4" wide x 14 1/2" high. Note: Please see the other McKenny & Hall hand painted lithograph...
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Mckenney Hall prints for sale on 1stDibs.

McKenney Hall prints are available for sale on 1stDibs. These distinctive items are frequently made of paper and are designed with extraordinary care. Prices for McKenney Hall prints can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,475 and can go as high as $1,475, while a piece like these, on average, fetch $1,475.
Questions About McKenney Hall Prints
  • 1stDibs ExpertApril 5, 2022
    Hall trees are a type of furniture, generally used for an interior entranceway. It can hold shoes, jackets, bags and other items and provides compact storage for smaller places. Shop a collection of hall trees from some of the world’s top sellers on 1stDibs.
  • 1stDibs ExpertOctober 26, 2021
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    Where a hall tree should be placed is largely a matter of personal preference, but generally, you will want to display one near the door that you use most frequently. You can put it in a mudroom, a foyer or an entryway. On 1stDibs, find a variety of hall trees.
  • 1stDibs ExpertFebruary 13, 2023
    A hall tree is sometimes called a hat tree, a hat stand, a coat rack or a coat stand. However, hall tree is also a common name for a piece of furniture used to store coats, hats and other accessories. Shop a collection of hall trees on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    To date Walker and Hall silver, use an authoritative reference to decode the mark found on the piece. The silversmith used a variety of hallmarks over the years, making it easy to determine an approximate manufacturing date. Shop a selection of expertly vetted Walker and Hall silver decorative objects and serveware on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    A hall tree, which can also be called a hat tree or a clothes tree, is a stand that can hold hats, jackets, bags and shoes. You can shop a collection of hall trees from some of the world’s top sellers on 1stDibs.
    1stDibs ExpertApril 5, 2022
    Other names for a hall tree include clothes tree, hat tree, and hatrack. Hall trees come in many shapes and sizes and remain as popular as ever. On 1stDibs, you’ll find a collection of antique and contemporary hall trees from some of the world’s top sellers.
  • 1stDibs ExpertApril 22, 2024
    Yes, Walker Hall silver is generally real. However, pieces made by the silversmith usually aren't solid silver. Most silver wares produced by Walker Hall are silver-plate, meaning they consist mostly of a base metal to which a thin layer of genuine silver is applied. Shop a selection of Walker Hall silver wares on 1stDibs.

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