Mihai Florea Interior Paintings

A fantastic MidCentury interior scene painted in 1963 and signed illegibly. This work comes in a contemporary wood frame.

Antique American school surreal oil painting. Oil on canvas. Framed. Measuring 30 by 35 inches overall and 25 by 30 painting alone.In excellent original condition. Handsomely fram...

"The Music Room #2 (interior with Piano)" Original painting. Size 39x23.5in / 100x60cm . Oil on canvas. Part of Interior series. "The Music Room" was part of Mixed Moods, solo sh...

Francesc Gironés (1904-1997) - Surrealist scene - Oil canvas Oil measures 38x46 cm. Frame measures 47x55 cm. Francesc Gironés was a painter from Poblenou about whom little is known,...

A charming depiction of an interior scene with piano. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This piece captures...

A wonderful example of Roseland’s beloved genre scenes from the turn of the 20th century. This painting depicts an elderly man seated at a cluttered table, gently interacting with a ...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi is a visual artist born in Akure, Ondo State Nigeria in 1984. At an early age, Femi was intrigued by the stamps collected by his banker father which have now become a significant source of inspiration for his art style. Femi lived briefly with his grandmother, a connoisseur of old textiles...

Pair of 19th Century "Gambling" Oil Paintings After Adriaen van Ostade Each painting shows men gambling in a cellar Original oil on canvas Dimensions 10" wide x 12" high The orna...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Laslett John Pott RSA British, (1837-1898) Bess of Hardwick Receiving Visitors at the High Great Chamber, Hardwick Hall Oil on canvas, signed & dated 1872 Image size: 18.75 inches x 29.5 inches Size including frame: 25.25 inches x 36 inches Provenance: Frost & Reed no. 30819 A wonderful historical painting by Laslett John Pott of figures at a table in the High Great Chamber at Hardwick Hall, Derbyshire. Two men in Elizabethan costume can be seen standing up to toast a lady as she reclines in a chair holding a fan, whilst a dog watches on. Meanwhile, another woman looks across the table as her seated companion has his glass refilled by a man servant. To the left of the painting, a lute with sheets of music can be seen lying on the ground whilst on the opposite side sits a wine cistern with a bottle next to it. The fashionable dress and bearing of the woman seated on the right indicate a woman of wealth and standing, most likely Bess of Hardwick, Countess of Shrewsbury who built Hardwick Hall in 1590. She was lady in waiting to Queen Elizabeth I and one of the wealthiest women in England. She commissioned the architect Robert Smythson to design the house, which included the extraordinary High Great Chamber located on the second floor. Decorated with a plaster frieze depicting Diana the huntress, a large alabaster and marble chimney piece and Brussels tapestries on the lower walls, it was used by the countess to greet and entertain guests. After her death, the property passed to her son William Cavendish 1st Earl of Devonshire in 1608 and later to his great grandson, William who was made the 1st Duke of Devonshire in 1694. In 1959, the property was transferred to the National Trust and most of its original features, including the plaster friezes, chimney piece and tapestries depicted in this painting, can still be seen today. The painting bears an old label for Frost & Reed, no. 30819, with the title ‘Interior of Haddon Hall’ which was wrongly given to the painting at the time. Later research uncovered the correct location as being Hardwick Hall. Pott used Hardwick Hall as the backdrop for a number of his works including: Mary Queen of Scots Being Led to her Execution, His Highness in Disgrace, Waiting for the King’s Favourite and Wayland Smith Showing Amy Robsart her Wedding Dress. Laslett John Pott was a genre and historical painter born in Newark, Nottinghamshire in 1837, the son of John Manger Pott, and his wife Sophia Charlotte Moss. His father was a successful auctioneer and land valuer and his wealth enabled Pott to receive a good education. Although he showed an early talent for art, his father wanted him to become an architect and at the age of 16 he became an apprentice at a local firm. After his apprenticeship, he was able to persuade his father to let him change careers and enrol at the Bloomsbury Art...

Great religious painting from the first half of the 17th century. Oil on canvas artwork depicting the Flagellation, one of the most dramatic moments of the Passion. Christ, tied to t...