Mitch Billis Furniture

Carl Stilling (Denmark, 1874-1938) "Dutch Girl" oil on canvas, circa 1924 Remarkable 1920s painting of a young Dutch girl with her braided hair coming out from under her favorite ...

Large still life oil on canvas Painting Artwork. Unsigned, believed to be early 20th Century as judged by the frame. In good antique condition with minor knocks, marks, age related ...

18th century Spanish school still life flowers oil on canvas painting. Dimensions with frame: 44.5 x 54 x .2.5.

A French framed oil on canvas still-life painting from the 19th century depicting fruits, signed Morin. Created in France during the 19th century, this oil on canvas painting features mouth-watering cherries and prunes displayed in wicker baskets and flanked with a copper strainer...

Lovely signed still life oil on canvas featuring three red and golden apples cast in warm light. Signed LIZ. Measurements: 26.0"W x 22.0"H x 2.5"D; sight: 15.5"W x 11.5"H.

This miniature oil painting, titled Delft Pitcher is signed by the artist Alva Holcombe. The scene includes the blue and white Delft pitcher, books and fruit all sitting on a white d...

Spain, 19th century. A Spanish 17th century style rustic still life. Depicting wittles from everyday life. Measures: Height 19 ins (48cms). Width 27 ins (69cms).

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Title: “"Still Life Floral"” Medium: Oil on canvas. Year: Second half of the 20th century. Origin: Europe Artist: Unidentified Frame: Gilt Double Wooden Frame / Pine Wood Frame. Sig...

Large Floral Still Life Oil on Canvas. Soft pastels with blue and gray , pink and white. Flowers are hydrangeas and tulips. Housed in a silver gray gesso frame. Perfect romantic piec...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...