Mon Levinson Art

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Biog...

This brilliantly precise and sophisticated Mid-Century Modernist Abstract Geometric Screen Print in Grey Squares Edition 78/90 is by Mon Levinson and originates from the United State...

Artist: Mon Levinson, American (1926 - 2014) Title: Stacked Diamond Year: 1969 Medium: Paper Construction, signed and numbered in pencil Edition: 4/90 Size: 20 x 20 in. (50.8 x 50.8...

Artist: Mon Levinson, American (1926 - 2014) Title: Sun Clock Year: 1969 Medium: Clear and frosted plexiglas construction Edition: 14/90 Size: 20 x 20 in. (50.8 x 50.8 cm)

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...