Myron Wood Landscape Photography

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent, Series 107, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by ...

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Spring Showers, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published b...

A unique original silver gelatin black and white photography. View of Charenton le Pont, east suburb of Paris, France, June 1926. This original photography shows a view of the canal...

Title: Barns Black & White Photography Edition of 10 Also available in 20"x30" Edition of 10 *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been ...

Original Polaroid of The City a Contemporary Landscape Photography by Pia Clodi. Pia Clodi’s works encompass moments and mementos from her countless walks through cities as well as...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Night, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "11" in the lower left corner. Portfolio Two stamp with print #11 and set #A in red...

This silver gelatin print is signed in pencil on the front of the mount. Post-BMFA 11 studio stamp with title in ink on the front of the mount. An inscription by Adams' assistant "Pr...