Nate Hill Abstract Sculptures

A circa 1950's Italian porcelain table lamp with interior light. Measurements: Height: 18" Diameter: 14"

Highly desirable chrome robot standing lamp by Torino Lamps, 1978. Often believed to be of Italian origin this robot and other character lamps were des...

Table lamp from the 1970ies. Hannie Mein (1933 - 2003) Mein worked primarily with black-fired clay, which was fired at high temperatures. Her work was often hand-thrown and someti...

Set of 2 Mushroom lamps by Casa Alfarera Dimensions: D25 x H45.7 cm Materials: Stoneware, brass Each piece is unique. Variations might occur from item to item. All our lamps can be ...

A Modern table lamp by Ron Rezek, circa 1980s. Also known as the "Mushroom Lamp." This lamp features blue glass body, with a heavy frosted glas...

Acrylic lampshade made from biomaterials. Coated in a epoxy resin. Lamp includes all electrical parts and must be used with a LED bulb.   

Artefact table lamp by Lea Munsch Dimensions: W 28 x D 16 x H 49 cm Materials: Stoneware Numbered on /20. Each piece is unique with its own personality and marks. There is an openin...

Bronze sculptural lamp by Henry Étienne Dumaige French, 19th century Measures: Height 69cm, width 28cm, depth 23cm This fine figurative lamp is by Étienne Henry...

Our Bubbly Lamp is digitally grown to imitate the fractal growth of botryoidal crystals in Nature. Hand crafted by artisans in Peru with unique custom glaz...

Small Mushroom Lamp by Nick Pourfard Dimensions: Ø 33 x H 38 cm. Materials: ceramic. Different finishes available. Please contact us. All our lamps can ...

Set of 4 Mushroom Lamps by Nick Pourfard Dimensions: Small (x3) Ø 33 x H 38 cm. Medium (x1) Ø 38 x H 56 cm. Materials: ceramic. Different finishes available. Please contact us. All ...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...