Nnamdi Okonkwo Art

Chidy Wayne’s Solid Ego 005 embodies the Latin term ego — the “self” — as a compact, sculptural core. Cast in bronze, the work channels energy inward, condensing the complexity of hu...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Part of Ser Uang Huang’s Travelers Series. Huang has a gift for capturing fleeting yet profound moments from everyday life, and Midst of Waiting is one such example. Waiting is an in...

Harmony is a whimsical and lighthearted work that captures the playful spirit of a group chorus. The three figures, each with a distinct mouth shape, appear to be singing in differen...

Part of Ser Uang Huang’s Childhood Series. Childhood is a work full of charm and playful creativity. The boy and girl figures are separate from the log-like base, allowing viewers to...

Part of Ser Uang Huang’s Childhood Series. Gazing captures the playful innocence of childhood through the image of a boy forming binoculars with his hands, smiling as he peers into t...

Tainan’s Anping has long been a fishing community where, towards the end of World War II, fishermen lived between hardship and reward. They rose with the sun, ventured into uncertain...

Part of Ser Uang Huang’s Childhood Series. What? draws on the innocence and playfulness of childhood, capturing a child’s carefree gesture in a form that is slightly cartoonish yet s...

Fishing for Joy – Sitting captures the leisurely pleasure of fishing, a pastime that is as much about patience and calm as it is about outsmarting the fish. The figure sits quietly with a hat shading the face, embodying a sense of ease, as if feeling the breeze drift by or perhaps drifting into a light nap. It reflects the essence of fishing not only as a test of patience but also as an experience of slowing down, enjoying nature, and savoring the simple passage of time. Huang uses varied carving textures to suggest different materials: the rugged irregular surface of the stone contrasts with the subtle gradation on the clothing, evoking the shimmering reflection of water. Cast in bronze using the lost-wax method, the sculpture faithfully preserves the wood grain and tactile quality of the original wooden carving. The surface patina replicates the natural coloration of the original, while the bamboo fishing rod...

Katharina Fritsch Fischring und Stern / Fish Ring and Star 1983/1994 Painted fiberglass and lacquered brass Fish Ring: 3 1/4 inches (diameter); 8 cm Star: 3 3/4 inches (diameter); 10...

Pair of Bronze Sculptures RED: 13.5 x 3.25 x 5 in (35 x 8.25 x 12.7 cm) BLACK: 13.5 x 2.75 x 1 in (35 x 2.5 x 7 cm) Born in Thessaloniki, Greece, Kostis Georgiou studied s...

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...