Olivier Muhlhoff Photography

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

On the edge of nothingness / n1 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36” - External Dimension( with white border) : Height: 25.6 in.( 65.02 cm) Wid...

Manhattan Bridge / from the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 48 x 32" External Dimension( with white border) Height: 4...

As a progenitor of special effects photography and experimental photography in the late 1960s and early 1970s, Mitchell Funk employed a variety of non-digital techniques to achieve ...

Eduardo Rezende’s 2024 series Lavori in Corso revisits one of the artist’s most enduring themes: the urban and architectural landscape — this time focused on construction sites, scaf...

Carvings 1-5 by Sterling Ruby is one work in five parts of images of tree carvings. Sold as a set of five only, each work is 36 x 36 inches framed size, framed by the artist in a deep mahogany finished wood. Paper size is 31.5 x 31.5 inches. Chromogenic print, Edition of 3 Exhibition: Cologne, Galerie Christian Nagel, Sterling Ruby: Supermax 2006, March 4-April 2 Provenance: Artist Hauser...

Umbrellas on Fifth Avenue in the Rain. Street Photography is as abstract as it is representational. It's literally street photography. Chromogenic archival print, signed and dated ...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

Pupil #2 suggests a rose window, a star chart, or a rotating mandala. The faint, glowing greenish points orbiting the darkened center also carry the implication of a clock face, with...

Red Eye #3 from At the Center of Seeing carries an especially charged and enigmatic energy. At its core, a glowing orb hovers in a dark void, as if suspended between emergence and e...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

Paper size is 30 x 25 inches, image size is 20 x 15 inches Signed, dated and numbered Pigment print on Kodak Metallic paper, there is a 5 inch border around the image which enhances...