Orchies Pottery

We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our objects. These stunning vases display clear Art Deco influences, evident in the geometric lines and squared, decorative handles adorned with elegant gilding. The tapered, symmetrical shape is typical of the 1920s and 1930s when Art Deco was at its peak. The predominant color is a deep cobalt blue, characteristic of high-quality ceramic production from that era, associated with a refined decorative style. The gilded handles create a striking and luxurious visual contrast with the rest of the design. The geometric gilded handles, distinctive in their elegance, reflect neoclassical influences reinterpreted through the lens of Art Deco. The decorative details on the handles were applied by hand, a hallmark of fine ceramic craftsmanship. The ceramic used is glazed earthenware. The glossy finish suggests the use of vitreous glazes, applied to achieve a shiny, even surface. The gilding on the handles may have been done using the ceramic lustre technique, where gold is applied at a low temperature after an initial firing, resulting in a durable, shiny finish. The vases date to the period between 1925 and 1930, as indicated by the stamps on the bottom. The Orchies pottery factory was one of the leading French manufacturers specializing in ceramics, located in Orchies, in the Nord-Pas-de-Calais region. Founded in 1886 by Désiré Leroy, the company quickly gained a reputation for the quality of its products and its distinctive trademark, often featuring the silhouette of a windmill, a typical symbol of that region of France. Initially focused on decorative ceramics and household items, the factory later expanded by merging with other local manufacturers, broadening its range of products. A key figure in the company's growth was Jules Auguste Hamin, who helped drive its expansion and brand development. Orchies products were renowned for their craftsmanship and the high quality of materials used. The ceramics were produced using a variety of techniques, including terracotta and glazed stoneware. Orchies excelled in the creation of decorative vases, tableware, pitchers, and other ornamental objects. Bright colors and glossy finishes were characteristic of many of their works, which blended elements of local tradition with Art Nouveau influences. During its golden age, Orchies not only dominated the French market but also exported its ceramics to several European countries and beyond. Its quality craftsmanship and refined design made its products highly valued by both the general public and collectors of art ceramics. The Orchies factory played a major role in the French ceramic industry from the late 19th to the early 20th century, contributing significantly to the development of the Nord-Pas-de-Calais ceramic tradition. However, like many factories of the time, Orchies faced increasing industrial competition and the economic crises of the 20th century, ultimately ceasing operations in the mid-1900s. Today, Orchies ceramics are highly sought after by collectors for their beauty and rarity. The windmill silhouette, imprinted on many of their pieces, remains a distinctive mark of quality and elegance. This pair of vases is a beautiful example of French Art Deco ceramics...

This dazzling glazed French Art Deco ceramic vase or small planter was handcrafted. The mixture of colors are truly beautiful. It can...

Early design, whimsical! A bird-form teapot with winged lid, Monmouth Pottery, via Pine Stoneware or Western Stoneware Company in Monmouth, Illinois....

A delightful English Art Deco pottery figure of a lamb decorated in green glazes made by Denby and dating from the 1930’s. The figure is hand crafted and stands on four legs with its...

A stunning French Art Deco glazed pottery sculpture of a circus elephant balanced on a ball dating from around 1925. The figure made from a terracotta colored clay portrays an elepha...

A beautiful Art Deco pottery sculpture of a mother and child by Christine Gregory (British, 1879-1965) dated 1933. This very tender and well observed portrayal shows the mother holding the child wrapped in her arms and held cheek to cheek...

Exceptional, unique & one of a kind marked / signed masterwork stoneware pottery 'Sphere' by British artist Maggie Barnes, circa 1983. This is a relatively early work by the Artist a...

Stunning and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Art Deco / Swedish Grace. Excellent condition. S...

Each with cute expressions seated on a plinth base. Provenance, Manheim Antiques. Drue Heinz.

Galileo Chini for S. Lorenzo Mugello Floence, Italy 1920s "PAX ET BONUM" glazed earthware Excellent condiction Measures: H 30 cm.

A wonderful stoneware pottery model of a Monkey designed by Knud Khyn for Royal Copenhagen. Knud Khyn (1880-1969) was a Danish sculptor and painter. He was an important, long-term...

Presenting a lovely 19th century pair of Polish/German stoneware figures. Quite rare! Not a matching pair but similarly themed, with the little girl holding a basket of kittens with one kitten climbing up her front and the other of a little boy climbing a tree stump with a snail at the base. The ‘Little Girl’ is painted stoneware or earthenware and we are of the opinion is Polish in origin (or possibly Russian). It does not have any identifiable markings but it was originally with another similar style figurine (not included in this sale) which had markings that we were of the opinion were Polish markings. The ‘Little Boy’ is painted pottery and we are of the opinion that it is either Polish or German in origin. It is slightly different in style an texture to the girl and has a more ‘bisque’ finish. The facial features are more defined and remind me of German bisque dolls...