Oszkar Glatz Art

Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

Costume of a Finnish Girl in 1768 is an original hand-watercolored etching on ivory paper realized by Jean-Baptiste Le Prince in the late 18th Century. In excellent conditions: As ...

English School, circa 1870 Continental Mountain Lake with Sailing Boat and Figures on a Path (Companion piece to the previous work) Oil on canvas Monogrammed ES / EJ A closely rela...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s m...

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 45x38.5

Outstanding, big painting, realized by A. Varucca in 1891. Oil on canvas. it depicts a noblewoman in evening dress with a beautiful harp and a fan.  Hand signed and dated lower left....

Clyde Singer captures the moment when two friends open a letter with shocking news. A master of capturing the small and significant moments of everyday life, Singer realistically po...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

ATTRIBUTED TO LAUREANO BARRAU Spanish, 1863 - 1957 UNDER THE PARASOL unsigned oil on canvas 35-1/2 x 26 inches (90 x 66 cm.) framed: 44-1/4 x 35-1/2 in...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

Oil on canvas realized in 2000. Hand signed, titled and dated on rear. Includes a contemporary wooden frame cm. 53x38. Very good condition except for some very minor losses of color.