P. Rigual Furniture

Decorate an office of a study with this wonderful antique statue of Joan of Arc. Crafted in France circa 1870, and resting one a wooden base, the figure depicts Sainte Jeanne d' Arc,...

Art Nouveau lamps by Denbac France C1910 A pair of beautiful Art Nouveau lamps from Denbac, France c1910. Flamed sandstone urns shaped lamp bases with distinguishing drip glazed dec...

Beautiful Art Nouveau lamp, circa 1910. Brown-veined alabaster shell. The base is bronze with floral decoration. Electric and in perfect condition. Total Height: 52 cm Shell Diamete...

Art Nouveau Brass table desk lamp with brass shade and wooden base. ca. 1920 Natural aged with small cracks in edge shade 2,5 meter black cotton flex with plug and switch in bulb h...

This antique table lamp is unsigned, but presumed to have originated from Austria and date to approximately 1900 and done in the period Art Nouveau style. The lamp base is composed o...

A pair of superb quality 19th century gilt and patinated bronze orientalist busts. Each young lady dressed in traditional middle eastern attire...

Art Nouveau hexagonal mat metal lamp with multi-color contrasting shiny iridescent enamel motif surround with decorative metal base. This lamp has been newly rewired with a double so...

Rare orientalist bust in polychrome terracotta of an Arab, bearing the mark R St K, for Riessner, Stellmacher and Kessel, as well as the number 1525 The features are very fine, maki...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

Muller Frères, Lunéville, “Anémones” Lamp Mushroom lamp in multi-layered glass with acid-etched and wheel-carved decoration of red and mauve magnolias in ...

Orientalist bronze with a brown patina, representing an Arab in motion, a rifle in his hand, hiding in the folds of his clothing. This sculpture is signed on the base Miniati and...

This stunning 1960's Patinated Bronze Nude Female Bust Sculpture is an incredible piece of art. Sculpture is freestanding but can also be hung if desired. It is just large enough ...