Pat Keely Furniture

This stunning poster was created in 1936 to promote Dwain Esper's exploitation film "Marihuana - The Weed With Roots in Hell". The film, which has gone on to become a cult classic, c...

Released in 1980, Stanley Kubrick's horror classic "The Shining" stars Jack Nicholson and Shelley Duvall. Based on Stephen King's 1977 novel of the same...

Known as the "Farewell to England" tour, the Rolling Stones 1971 UK Tour took place across 10 days in March 1971 across 9 cities and saw the Stones at their absolute peak. They released the iconic "Sticky Fingers" a few weeks after the tour. After being commissioned to create the 1970 European Tour poster, and in turn, creating the iconic Stones tongue and lip logo, British designer John Pasche was recruited to create this iconic poster. Featuring an old car driving down the countryside roads...

Original vintage poster: Portugal and Spain by Pan American World Airways Clipper, Artist: Jean Carlu. Pan American original vintage poster large travel size format 27.5" x 41.1" Earliest version (the 1950s) of the poster for travel by Constellation aircraft. Original linen-backed, Pan American World Airways by Clipper vintage poster for travel to Portugal and Spain. Wear and stress marks in the top and bottom dark area but are not tears.. Small touch-up on the left white border. In the middle of this image, it features a matador with a cape hanging off his shoulder. Surrounding the image in vignettes of cut-out windows showing typical landscape scenes and castles. A great smaller format original for "The World's Most Experienced Airline". One of the windmills shown in this image has cloth sails. Trimming the sails allowed the windmill to turn at near the optimal speed in a large range of wind velocities. Pan American World Airways by Clipper. Pan American a.k.a. Pan Am Airlines posters are very collectible and rare year to year. This a great design opportunity for a home with a European flair. The Pan Am Clipper...

this is an original advertising poster from the 30's. designed by H S Williamson for the GPO. coloured lithograph. Do not forget to visit our storefront where you will find a few m...

Conversation is a lithograph realized by Jacques Pecnard in the Mid-20th Century. Good conditions. The artwork is depicted through harmonious colors ...

A huge commercial and critical success, Raiders of the Lost Ark smashed into movie theatres in 1981 and quickly became the highest grossing film of the year as well as going on to sw...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Original vintage poster by Bernard Buffet May 1958.

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

This is an original World War II Marines recruitment poster, issued in 1940. The poster depicts a no-nonsense Marine drill instructor, pointing directly at the viewer, in front of a ...

A truly iconic collaboration between Andy Warhol and Chanel no.5 began in 1985 when Warhol produced a selection of screen print artworks as part of his ADS series. The pieces were th...