Patrick Caulfield Abstract Prints
British, 1936-2005
Patrick Joseph Caulfield was born on 29th January, 1936 in Acton, London. He left Acton Secondary Modern at the age of 15, and secured a position as a filing clerk at Crosse and Blackwell, later transferring to the design studio. At 17, he joined the Royal Air Force at RAF Northwood. He attended evening classes at Harrow School of Art (later adopted into the University of Westminster). From 1956-59 he attended the Chelsea School of Art, and from 1960-1963 the Royal College of Art.
During his time at the Chelsea School of Art, Caulfield won two prizes, one of which funded a trip to Crete following his graduation. Caulfield was inspired by the Minoan frescoes and the bright colours of Crete. After leaving the Royal College of Art, where his contemporaries had included David Hockney and Allen Jones, he exhibited at the New Generation show at London’s Whitechapel Gallery, where he was recognised for his associations with the pop art movement. Caulfield sought to shrug off this branding, seeing himself as a “formal artist”.
Certainly, within a decade, Caulfield had ventured away from pop art associations, incorporating more detailed, realistic elements into his work; After Lunch (1975) is an early example of the realist-figurative style he developed over his career. Caulfield later returned to his earlier, more stripped down style of painting, and often – such as in Still Life: Autumn Fashion – combined elements of the two.
Caulfield was nominated for the Turner Prize for his show The Artist’s Eye at the National Gallery in London in 1987. He began to paint to commission around this date; notably designing the stained glass window for The Ivy restaurant, a 12 metre carpet for the British Council’s headquarters in Manchester and set designs for Part Game and Rhapsody at the Royal Opera House. In 1996 his solo gallery at the Claudine Papillon in Paris was highly acclaimed, as was his solo exhibition at the Hayward Gallery in London in 1999. In 1996 he was made a CBE and in 2010, Caulfield was included in an exhibition at the Yale Centre for British Art entitled The Independent Eye: Contemporary British Art from the Collection of Samuel and Gabrielle Lurie. Recent exhibitions have included the 2006 solo exhibition at the Tate Liverpool, the 2006 Special Summer Exhibition show at the Royal Academy (RA) London, and a solo exhibition of his prints at the Alan Cristea Gallery. In 2013 the Tate Britain held an exhibition featuring work from throughout his career. His work is collected in the British Council, London Tate Gallery, Victoria and Albert Museum, Dallas Museum of Art, Harry N Abrams Collection in New York and the National Gallery of Australia, among others.
to
1
1
1
Overall Width
to
Overall Height
to
2
1
10
676
209
165
158
3
2
3
3
2
1
Artist: Patrick Caulfield
I
ll take my life monotonous from "Some Poems of Jules Laforgue" graphic pop art
By Patrick Caulfield
Located in New York, NY
Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...
Category
Late 20th Century Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
Jules Laforgue - I
ll take my life monotonous (Edition C)
By Patrick Caulfield
Located in London, GB
Patrick Caulfield
Jules Laforgue - I'll take my life monotonous (Edition C)
1973
Screenprint, Edition of 100
61 x 56 cms (24 x 22 ins)
PCE9257
Category
1970s Abstract Patrick Caulfield Abstract Prints
Materials
Screen
"Moi je veux vivre monotone" by Patrick Caulfield, Screenprint, Pop Art, Purple
By Patrick Caulfield
Located in Köln, DE
"Moi je veux vivre monotone" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems...
Category
1970s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
Related Items
The Sun Tree Limited Edition Lithograph after Dali
By (after) Salvador Dali
Located in Cirencester, Gloucestershire
'Sun tree lithograph'
After Salvador Dali (1904 - 1989)
signed print on thick paper , unframed
print: 16 x 12.5 inches
provenance: private collection
condition: very good and sound c...
Category
20th Century Abstract Patrick Caulfield Abstract Prints
Materials
Color
Large Abstract Expressionist Lithograph SIlkscreen Robert Motherwell St Michael
By Robert Motherwell
Located in Surfside, FL
Robert Motherwell, American, 1915-1991
St. Michel III
1979
Lithograph and Screenprint
On handmade paper
Hand signed in white pencil and numbered 71/99.
Dimensions: Sight 40 3/4 x 32 ...
Category
1970s Abstract Expressionist Patrick Caulfield Abstract Prints
Materials
Lithograph, Screen
1970s Uc Berkeley Original Silkscreen "Up Against the War Motherland"
Located in Arp, TX
"Up Against the War Motherland"
UC Berkeley Workshop
April 26, 1970
Screenprint on computer paper
14.75"x22" unframed
Unsigned
Poster is printed on tracto...
Category
1970s Pop Art Patrick Caulfield Abstract Prints
Materials
Paper, Screen
$600
H 22 in W 14.75 in D 0.5 in
Surrealist Abstract Hebrew Shabbat Pop Art Silkscreen Judaica Jewish Serigraph
By Jozsef Jakovits
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Category
1980s Pop Art Patrick Caulfield Abstract Prints
Materials
Archival Paper, Screen
Steve Kaufman "Abraham Lincoln" 1990 Artist Proof Serigraph, Hand Signed Verso
By Steve Kaufman
Located in Miami, FL
STEVE KAUFMAN – "ABRAHAM LINCOLN"
⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame
VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND
This bold 1990 serigra...
Category
1990s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen, Canvas
$2,400 Sale Price
25% Off
H 19.5 in W 15.125 in D 2 in
Dots Infinity (1986). Screenprint. Limited Edition 58/100 by Yayoi Kusama ABE 94
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Dots Infinity (1986). Edition 58/100
Screenprint
[2 screens, 2 colors]
Signed, titled, dated and numbered 58/100 in pencil by the artist
28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category
1980s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
$24,000
H 20.28 in Dm 14.34 in
Pop Art Aspen Road Sign D
arcangelo Silkscreen Chiron Press Vintage Art Poster
Located in Surfside, FL
Allan D'Arcangelo (American/New York, 1930-1998),
"Aspen Center of Contemporary Art",
1967
silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY"
32 in. x 24 in.
Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy.
D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear.
Select Exhibitions:
Fischbach Gallery, New York,
Ileana Sonnabend Gallery, Paris,
Gallery Müller, Stuttgart, Germany
Hans Neuendorf Gallery, Hamburg, Germany
Dwan Gallery...
Category
1960s Pop Art Patrick Caulfield Abstract Prints
Materials
Lithograph, Screen
Large Mel Bochner BLAH BLAH BLAH (INVERSE) Silkscreen, 62"H
By Mel Bochner
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Mel Bochner (American, 1940-2025)
Marking(s); notes: signed; ed. 12/30; 2022
Materials: silkscreen on Lanaquarelle paper with diamond dust
Dimensions (...
Category
2010s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
$48,000
H 62 in W 46.5 in
Human Rights 1981, Robert Rauschenberg
By Robert Rauschenberg
Located in Fairfield, CT
Artist: Robert Rauschenberg (1925-2008)
Title: Human Rights 1981
Year: 1981
Medium: Silkscreen and lithograph on wove paper
Edition: 41/100, plus proofs
Size: 31 x 23 inches
Conditio...
Category
1980s Pop Art Patrick Caulfield Abstract Prints
Materials
Lithograph, Screen
$5,200 Sale Price
20% Off
H 31 in W 23 in
Graceful Touch I, Pop Art Screenprint by Michael Knigin
By Michael Knigin
Located in Long Island City, NY
Artist: Michael Knigin, American (1942 - 2011)
Title: Graceful Touch I
Year: 1984
Medium: Screenprint, signed in pencil
Edition: AP
Size: 21.5 x 35 in. (54.61 x 88.9 cm)
Category
1980s Abstract Patrick Caulfield Abstract Prints
Materials
Screen
$450
H 21.5 in W 35 in D 0.1 in
North End, Nicholas Krushenick
By Nicholas Krushenick
Located in Fairfield, CT
Artist: Nicholas Krushenick (1929-1999)
Title: North End
Year: 1979
Edition: 15/200, plus proofs
Medium: Silkscreen on wove paper
Size: 36 x 26 inches
Condition: Good
Inscription: Signed and numbered by the artist.
NICHOLAS KRUSHENICK (1929-1999) One of America’s premier Pop artists, Nicholas Krushenick’s work consists of geometric abstract motifs whose shapes were outlined in heavy black lines. In this regard his original prints were often compared to those of Pop Art co-horts Roy Lichtenstein and Andy Warhol, but unlike these masters Krushenick avoided any imagery from commercial art...
Category
1970s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
Infinity Nets (1986). Screenprint. Limited Edition 57/100 by Yayoi Kusama ABE 95
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Infinity Nets (1986). Edition 57/100
Screenprint
[2 screens, 2 colors]
Signed, titled, dated and numbered 57/100 in pencil by the artist
28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category
1980s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
$21,000
H 20.28 in Dm 14.34 in
Previously Available Items
Still Life - Screen Print by Patrick Caulfie - 1970s
By Patrick Caulfield
Located in Roma, IT
Still Life is a screenprint realized by Patrick Caulfield in 1970s.
Hand-signed on the right corner. The artwork is depicted through harmonious colors in a well-balanced composition...
Category
1970s Abstract Patrick Caulfield Abstract Prints
Materials
Screen
H 20.08 in W 19.3 in D 0.04 in
I
ve only the friendship of hotel rooms - Patrick Caulfield Pop Art Screen Print
By Patrick Caulfield
Located in Köln, DE
"I've only the friendship of hotel rooms" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found ...
Category
1970s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
Jules Laforgue - Thus she would come, escaped, half-dead to my door (Edition C)
By Patrick Caulfield
Located in London, GB
Patrick Caulfield
Jules Laforgue - Thus she would come, escaped, half-dead to my door (Edition C)
1973
Screenprint, Edition 100
61 x 56 cms (24 x 22 ins)
PCE9239
Category
1970s Abstract Patrick Caulfield Abstract Prints
Materials
Screen
Ah! This Life is so Everyday from "Some Poems of Jules Laforgue" portfolio
By Patrick Caulfield
Located in New York, NY
Neobond paper 24 x 22 in. / 62 x 56 cm.
Image 16 x 14 in. / 40.5 x 30.5 cm.
Screenprint on Neobond paper. Edition 100: this impression a proof aside from the edition. Signed by the ...
Category
Late 20th Century Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
Fig Branch
By Patrick Caulfield
Located in Missouri, MO
Patrick Caulfield
"Fig Branch" 1972
Screenprint
Ed. 15/72
Signed and Numbered Lower Right
Framed Size: 41 x 33 inches
Image Size: 34 x 26 inches
Patrick Caulfield was born on January 29, 1936. He was an English painter and printmaker known for his pop art canvases...
Category
1970s Pop Art Patrick Caulfield Abstract Prints
Materials
Screen
You
ll be sick if you spend all your time indoors
By Patrick Caulfield
Located in London, GB
PATRICK CAULFIELD
You'll be sick if you spend all your time indoors, 1973
Screenprint in colours, on Neobond synthetic wove
Signed and inscribed 'A.P.' verso, from Edition A
Artist's...
Category
1970s Abstract Patrick Caulfield Abstract Prints
Materials
Screen
Patrick Caulfield abstract prints for sale on 1stDibs.
Find a wide variety of authentic Patrick Caulfield abstract prints available for sale on 1stDibs. If you’re browsing the collection of abstract prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of green, purple and other colors. You can also browse by medium to find art by Patrick Caulfield in screen print, paper, synthetic paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Pop Art style. Not every interior allows for large Patrick Caulfield abstract prints, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Allen Jones, Jozsef Jakovits, and Ronnie Cutrone. Patrick Caulfield abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $330 and tops out at $7,500, while the average work can sell for $2,478.






