Paul Rigoulet Abstract Drawings and Watercolors

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

Arnaldo Coen, Mexican (1940 -) - Pink Abstract, Year: circa 1968, Medium: Gouache On Paper, Size: 14 x 8.5 in. (35.56 x 21.59 cm), Description: ex-collection Sergio Aragones.

Alexandra Alexandrovna Exter Colour Dynamic, 1918 Russian avant-garde watercolor and gouache on paper Signed on the front Collection of Solomon Shuster, Leningrad (with collection la...

Floral Abstract by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 12 x 9 inches condition: very good and ready to be e...

Neutral toned abstract cubist still life painting of an antique coffee grinder arranged next to a coffee pot. Signed in the front lower right corner. Currently hung in a gold frame w...

Frame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

Artist: Kim Jones, American (1944 - ) Title: Don't Cry For Me Argentina Year: 1988 Medium: Ink and Gouache, signed and dated verso Size: 20 x 15.5 in. (50.8 x 39.37 cm) Frame Size: 2...

Vibrant Cubist Still Life Painting by A. Derek Ching (20th Century) Bold yet nuanced, this rare original gouache on paper, created by American artist A. Derek Ching (USA, 20th Centu...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

Composition No. 12 Gouache on paper, c. 1926 Signed lower right: “Urban Weis” (see photo) Condition: Excellent Image: 16 5/8 x 10 5/8" Frame: 21 1/2 x 15 5/8" Provenance: Dudensing G...

Title: Martini and Rossi Bitter Vintage Cocktail Advertising French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 15.75 x 11.75 inches (height x width) Provenance: Artists estate, France Condition: good overall condition with light edge wear, gentle handling creases to the margins and minor age toning to the paper; colours remain fresh and well preserved Description: This original gouache advertising design by French modernist artist Guy Nicod was created for Martini Rossi to promote their iconic “Bitter” aperitif. Executed in bold colours and simple yet powerful forms, the composition is both decorative and functional, epitomising the energy of mid-20th-century European commercial art. At the centre of the design stands a tall red bottle of Bitter, its dramatic silhouette set against a glowing red-orange sun and framed by areas of deep black and crisp white. A vibrant cocktail glass filled with Martini Bitter sits prominently in the foreground, complete with a twist of orange peel garnish, while a whole orange beside it reinforces the flavour profile of the drink. Two stylised clouds drift into the scene, softening the graphic edges and adding an atmospheric touch. The strong lettering at the top and bottom — “BITTER” and “MARTINI ROSSI” — is rendered in bold white capitals, giving the design an immediate visual punch. Nicod’s technique with gouache produces opaque, saturated colour fields that make the imagery pop, while the geometric framing and limited palette reflect the aesthetics of 1960s and 70s poster...