Pauline Ziegen Art

The densely treed forest and mountain ledges of Hennen's Virginia home are the subject of this rich, highly detailed landscape painting in oil on panel. An enormous boulder presiding...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

This original oil painting on birchwood panel is painted in the shades of pale green wildflowers that one sees along forest paths and clearings as summer approaches. This is the silh...

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

In this contemporary landscape painting in oil on panel, a peaceful autumn scene is set, beautifully capturing the idyllic feel of a tree with golden fall foliage hanging over a fiel...

In this contemporary landscape painting in oil on panel, ivory colored cumulus clouds float in an idyllic blue sky over a field of apple trees in golden brown. Signed, dated and titl...

Framed Dims: 39" x 39" 'White Beach Iona' by Scottish artist John Lowrie Morrison - JOLOMO. Is a beautiful example of his work. A fabulous soft colour palette pf whites and blues cre...

Carol S. Pylant Rosbeg, 2025 watercolor and gouache on paper 5h x 7.50w in 12.70h x 19.05w cm CSP054 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education ...

Oil on wooden paneld realized by Sirio Pellegrini in 1970. Includes a coeval wooden frame cm. 42x53. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano...

Expressionist style encaustic landscape on green mountains against a stormy grey sky "Approaching Storm" by Regina Quinn, made in 2024 oil paint and encaustic on panel 24 x 36 inches...

"True North - Orientation" is a worms-eye view of a jumbled sky bursting with both fireworks and a rainbow. The surreal quality of the imagery makes the viewer question reality. The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The foreground billboards add another dimensional question to the landscape. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Orientation oil on panel 9h x 12w in 22.86h x 30.48w cm MJB012 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

Aeling’s fascination with meteorology is unmistakable in this dramatic skyscape. Since his earliest years in the West, he has been captivated by weather’s capacity to alter the emotional temperature of a landscape. In this painting, the low, turbulent cloudbank reveals his deep knowledge of sky structures—an understanding informed by both scientific observation and personal experience. The luminous blue patches above suggest hope breaking through uncertainty, a recurring theme in his atmospheric work. Jeff Aeling Near Wagon Mound, NM Oil on panel 10h x 14w in 25.40h x 35.56w cm JAE055 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...