Perry Oliver Abstract Prints

Artist: (after) Jasper Johns (American, 1930-) Title: "Painting with Two Balls I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsign...

Artist: Jasper Johns (American, 1930-) Title: "Untitled (Cross Hatch)" Series: Jasper Johns Screenprints *Unsigned edition Year: 1977 Medium: Original Scre...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

A color abstract geometric composition titled "From Color to Form IV", executed in 1969, by the celebrated Italian artist Marino Marini (1901-1980). A rare artist's proof Marini was...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró II Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

Print, belongs to a collection "STRIPES". Limited edition of 10. Signed by the author.

Armando 18.09.1929 Amsterdam Zurück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and labelled Edition: e.a. Condition: In good condition Dimensions: 50.0 x 50.0 on 63.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...

Armando 18.09.1929 Amsterdam Landschaft Giclee on heavy, hand-made cotton paper Year: 2018 Hand-signed and numbered Edition: 25 Condition: In good condition Dimensions: 48.0 x 47.7 on 61.0 x 58.7 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van...

Armando 18.09.1929 Amsterdam Seestück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and numbered Edition: 30 Condition: good Dimensions: 41.0 x 50.0 / 54.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...

Two White Dots, Abstract Photography, framed, limited edition of 15, signed by the author.

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...