Phyllis Krim More Prints
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Artist: Phyllis Krim
Alfa Romeo, Photorealist Classic Car Screenprint by Phyllis Krim
By Phyllis Krim
Located in Long Island City, NY
Alfa Romeo
Phyllis Krim, American (1930–2014)
Date: circa 1979
Screenprint, signed and numbered in pencil
Edition of 200, AP 30
Image Size: 22 x 22 inches
Size: 26 in. x 26 in. (66.0...
Category
1970s Photorealist Phyllis Krim More Prints
Materials
Screen
Bentley, Photorealist Classic Car Screenprint by Phyllis Krim
By Phyllis Krim
Located in Long Island City, NY
Bentley
Phyllis Krim, American (1930–2014)
Date: 1978
Screenprint, signed and numbered in pencil
Edition of 200, AP 20
Image Size: 22 x 22 inches
Size: 26 in. x 26 in. (66.04 cm x 66...
Category
1970s Photorealist Phyllis Krim More Prints
Materials
Screen
Duesenberg, Photorealist Classic Car Screenprint by Phyllis Krim
By Phyllis Krim
Located in Long Island City, NY
Duesenberg
Phyllis Krim, American (1930–2014)
Date: 1978
Screenprint, signed and numbered in pencil
Edition of AP 30
Image Size: 22 x 22 inches
Size: 26 in. x 26 in. (66.04 cm x 66.0...
Category
1970s Photorealist Phyllis Krim More Prints
Materials
Screen
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Large Johnny Friedlaender Poster Print No Text
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Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer.
Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings.
In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds.
After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950.
Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year.
Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists.
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Phyllis Krim more prints for sale on 1stDibs.
Find a wide variety of authentic Phyllis Krim more prints available for sale on 1stDibs. You can also browse by medium to find art by Phyllis Krim in screen print and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the Photorealist style. Not every interior allows for large Phyllis Krim more prints, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of John Baeder, and Robert Cottingham. Phyllis Krim more prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $800 and tops out at $900, while the average work can sell for $800.



