Piero Dorazio Drawings and Watercolor Paintings
Italian, 1927-2005
Piero Dorazio (Rome, June 29, 1927 - Perugia, May 17, 2005) was an Italian painter. His work was related to color field painting, lyrical abstraction and other forms of abstract art.
Dorazio was born in Rome. His father was a civil servant, while his mother was interested in history and art. Dorazio attended Julius Caesar Lyceum (high school) in Rome. The family fled to their homeland province of Abruzzo in 1943. After the war, Dorazio worked briefly as a translator for the British Army and then studied architecture at the University of Rome.
He was influenced by futurists such as Gino Severini, Antonio Corpora, Enrico Prampolini, and Giacomo Balla, attracting him to painting. An aversion to their right-wing views pushed him to align instead with left-leaning artists like Renato Guttuso. Along with Pietro Consagra, Achille Perilli, and Giulio Turcato, he helped formulate a manifesto and establish a group of abstract artists in 1947 called Forma I. Although imbued with socialist leanings, the group did not follow the realist social commentary furthered by Guttuso but proposed to reclaim abstraction from Futurism. In 1947 Dorazio won a prize and a stipend from the French government to study at the École des Beaux-Arts of Paris.
Dorazio, along with artists Mino Perilli and Guerrini, helped found L'Age d'Or in 1950. It was a bookstore/gallery space dedicated to abstract art. In 1952, he promoted the foundation Origin with Alberto Burri, Ettore Colla and others, and edited the magazine Arti Visive. As a representative of Italy, in 1953 he traveled for the first time to the United States to participate in the International Summer Seminar at Harvard University. That fall, he moved to New York City and stayed through 1954. In October 1953, Dorazio had his first solo exhibition at George Wittenborn's One-Wall Gallery.
He published La Fantasia Dell-Arte Nella Vita Moderna" in 1955, a review of modern art in Italy. Regarding this book, reviewer Christopher Masters states that Dorazio advanced his belief, perhaps with a surfeit of optimism, that "abstract art could change the world... That just as science and technology were destroying the barriers between different cultures, so the new 'universal style' would lead to a 'universal civilisation'."
He was invited to teach at the Graduate School of Fine Arts program at the University of Pennsylvania School of Design in 1959. He taught painting there for one semester each year from 1960 to 1969, splitting his time between the United States and Italy. In 1970 he returned to live and work full-time in Rome. In 1974 he moved his studio from Rome to Umbria, near Todi. Peter Iden, founding director of the Museum für Moderne Kunst Frankfurt from 1978-1987, acquired three works by Dorazio from 1981 to 1983 (Oracolo, 1959; Blue Hearttrap, 1961; Stridente, 1982-83) for the museum collection.to
1
1
1
Overall Width
to
Overall Height
to
2
1
1
2
2
1
1
1
1
1
42
971
401
359
279
1
1
1
1
Artist: Piero Dorazio
Reticolo rosa Matita , Pastello cm. 47 x 65 1962
By Piero Dorazio
Located in Torino, IT
Particolare reticolo di Piero Dorazio ,pastello colorato sui toni dei rosa,su carta spolvero grezza
Archiviato archivio Piero Dorazio
Firmato e datato in basso a destra
Category
1960s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Crayon, Color Pencil
$31,223 Sale Price
25% Off
Italian Abstract Work on Paper Color Field Non-Objective European Mid-Century
By Piero Dorazio
Located in New York, NY
Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage"
Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament.
"Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage".
Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988.
Bio
Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy.
During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...
Category
1940s Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Gouache, Board
Related Items
1950s "Abstract #4" Ink and Gouache Painting Univ of Paris
By Donald Stacy
Located in Arp, TX
Donald Stacy
"Abstract #4"
c.1950s
Ink & Gouache on paper
10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75”
Signed in pencil lower right with label on reverse
Came from artist's e...
Category
Early 20th Century Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Paper, Ink, Gouache
$787 Sale Price
25% Off
H 20.75 in W 11.5 in D 0.5 in
Untitled II
By Erez Yardeni
Located in London, GB
'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...
Category
2010s Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Ink, Oil, Gouache, Board, Pencil
Joyce Kozloff, Tepoztlan II unique, signed gouache
pencil, coveted 1970s work
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff
Tepoztlan II, 1973
Gouache and colored pencil on paper
Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Category
1970s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Gouache, Color Pencil
$22,000
H 27.5 in W 35 in D 2 in
French Expressionist Abstract Original Painting Artists Studio Provenance
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition
by Jacques COULAIS (1955-2011)
gouache painting on paper/ card
unframed: 10.75 x 8.25 inches
condition: very good and impressive
provenance: all th...
Category
20th Century Abstract Expressionist Piero Dorazio Drawings and Watercolor Paintings
Materials
Gouache
Untitled
By Erez Yardeni
Located in London, GB
'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...
Category
2010s Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Ink, Oil, Gouache, Board, Pencil
Blue
Grey Green Plan: Abstract Geometric Framed Painting in Cool Toned Palette
By Donise English
Located in Hudson, NY
Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background
"Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$3,200
H 31 in W 25 in D 1.5 in
VERTICAL BRUSH STROKES
By Sol LeWitt
Located in Aventura, FL
Original gouache on paper. Hand signed and dated lower front. Artwork sheet size 22 x 10 inches. Custom framed as pictured.
Artwork is in excellent condition. Certificate of aut...
Category
1990s Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Paper, Gouache
Robert Natkin, Abstract Expressionist work on historic Wells Street Gallery card
By Robert Natkin
Located in New York, NY
Hand signed and dated on the front
This gem of a work is a piece of Ab Ex history! This rare and poignant early work, was painted on the back of an invitation card to Natkin's histo...
Category
1950s Abstract Expressionist Piero Dorazio Drawings and Watercolor Paintings
Materials
Watercolor, Gouache
$7,500
H 5.25 in W 8.25 in
Blue Springs Semi Upper Level
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Blue Springs Semi Upper Level
Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...
Category
2010s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
Dinosaur Me
Baby
By Erez Yardeni
Located in London, GB
'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...
Category
2010s Abstract Piero Dorazio Drawings and Watercolor Paintings
Materials
Ink, Oil, Gouache, Board, Pencil
Untitled Mid-Century Modern Geometric Abstraction
Located in New York, NY
Burton Wasserman
Untitled Mid-Century Modern Geometric Abstraction, 1967
Color pencil on thin vellum paper
Hand signed and dated by the artist on the front
Frame Included: elegantly ...
Category
1960s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Color Pencil, Vellum
$1,500
H 13.25 in W 13.25 in D 1.25 in
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Piero Dorazio Drawings and Watercolor Paintings
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$6,500
H 50 in W 50 in D 2 in
Piero Dorazio drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Piero Dorazio drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by Piero Dorazio in board, gouache, paint and more. Much of the original work by this artist or collective was created during the 1940s and is mostly associated with the abstract style. Not every interior allows for large Piero Dorazio drawings and watercolor paintings, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Hans Hofmann, Angela Wakefield, and Burgoyne Diller. Piero Dorazio drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $16,000 and tops out at $16,000, while the average work can sell for $16,000.



