Pierre DeMougins Art

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Ancient oil painting on panel. in wooden frames (not signed). Conditi...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

Italian painter (dated 1853) - Historical interior scene. 29.5 x 43 cm without frame, 50 x 65 cm with frame. Antique oil painting on panel, in a contemporary carved wooden frame, l...

Male Portrait, Signed Gennaro Befanio (Naples, 1866 - Paris, 1937), Dated 1936 Male portrait in oil on canvas, signed in the upper left corner "G. Befanio" and dated 1936. Likely on...

FRANCOIS CHABRIER “”AU CAFE" OIL ON CANVAS, SIGNED FRANCE, C.1960 32.5 X 39.5 INCHES Framed 41 x 48 inches. François Chabrier Born 1916 François Chabrier was born in 1916 in Bel...

The Interior French artist, indistinctly signed dated verso 1976, oil on canvas, framed framed: 25 x 18 inches canvas: 18 x 22 inches Inscribed verso Provenance: private collection...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Raymond Moritz. French ( b.1891 - d.1950 ). A Liberated Lady On The Cliffs, 1927. Oil On Canvas. Signed Lower Left. Image size 25 inches x 20.7 inches ( 63.5cm x 52.5cm ). Frame size 29.3 inches x 24.8 inches ( 74.5cm x 63cm ). Available for sale; this original oil painting is by the French artist Raymond Moritz and dates from 1927. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas and the painted surface have benefitted from cleaning and conservation, which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. A later dedication to “Louise” dated April 1942 in the artist’s hand is set around the earlier signing. Raymond Moritz was a French impressionist artist and illustrator. He was born in Paris on 8 July 1891. His family came from the Alsace region and were poor and Catholic. On his mother’s side, the Staubs were from Wihr-au-Val where they had been coopers for several generations. His uncle, Marie Clement Staub, was the founder in Canada of the Sisters of Saint Joan of Arc. Moritz fought during the Great War in the Picardy region of the Somme with the 2nd machine gunner company. He won the French 1914-1918 War medal with bronze palm attachment, which signifies that the awardee was mentioned in dispatches at army level. Moritz obviously created some art during the war because during the inauguration of the new town hall in the town of Albert he was congratulated by the French President, Albert Lebrun, and the British press for the paintings he had produced. Albert was the main town behind the lines for the Allies on the Somme battle fields...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

Laslett John Pott RSA British, (1837-1898) Bess of Hardwick Receiving Visitors at the High Great Chamber, Hardwick Hall Oil on canvas, signed & dated 1872 Image size: 18.75 inches x 29.5 inches Size including frame: 25.25 inches x 36 inches Provenance: Frost & Reed no. 30819 A wonderful historical painting by Laslett John Pott of figures at a table in the High Great Chamber at Hardwick Hall, Derbyshire. Two men in Elizabethan costume can be seen standing up to toast a lady as she reclines in a chair holding a fan, whilst a dog watches on. Meanwhile, another woman looks across the table as her seated companion has his glass refilled by a man servant. To the left of the painting, a lute with sheets of music can be seen lying on the ground whilst on the opposite side sits a wine cistern with a bottle next to it. The fashionable dress and bearing of the woman seated on the right indicate a woman of wealth and standing, most likely Bess of Hardwick, Countess of Shrewsbury who built Hardwick Hall in 1590. She was lady in waiting to Queen Elizabeth I and one of the wealthiest women in England. She commissioned the architect Robert Smythson to design the house, which included the extraordinary High Great Chamber located on the second floor. Decorated with a plaster frieze depicting Diana the huntress, a large alabaster and marble chimney piece and Brussels tapestries on the lower walls, it was used by the countess to greet and entertain guests. After her death, the property passed to her son William Cavendish 1st Earl of Devonshire in 1608 and later to his great grandson, William who was made the 1st Duke of Devonshire in 1694. In 1959, the property was transferred to the National Trust and most of its original features, including the plaster friezes, chimney piece and tapestries depicted in this painting, can still be seen today. The painting bears an old label for Frost & Reed, no. 30819, with the title ‘Interior of Haddon Hall’ which was wrongly given to the painting at the time. Later research uncovered the correct location as being Hardwick Hall. Pott used Hardwick Hall as the backdrop for a number of his works including: Mary Queen of Scots Being Led to her Execution, His Highness in Disgrace, Waiting for the King’s Favourite and Wayland Smith Showing Amy Robsart her Wedding Dress. Laslett John Pott was a genre and historical painter born in Newark, Nottinghamshire in 1837, the son of John Manger Pott, and his wife Sophia Charlotte Moss. His father was a successful auctioneer and land valuer and his wealth enabled Pott to receive a good education. Although he showed an early talent for art, his father wanted him to become an architect and at the age of 16 he became an apprentice at a local firm. After his apprenticeship, he was able to persuade his father to let him change careers and enrol at the Bloomsbury Art...

A wonderful example of Roseland’s beloved genre scenes from the turn of the 20th century. This painting depicts an elderly man seated at a cluttered table, gently interacting with a ...