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Placido Scandurra Abstract Prints

Italian, b. 1947

Placido Scandurra born in Italy in 1947 lives and works in San Polo dei Cavalieri, around Rome. He trained in Catania, particularly attending the studio of the painter Antonio Villani and the restorer Giovanni Nicolosi. From 1975–77, he attended experimental courses at the National Chalcography of Rome. In the mid-1970s, he underwent a profound change towards an introspective vision. From the intense study of Jung's theories and Eastern cultures, the artist has a strong interest in the esoteric spiritual world that leads him to create works of art of an alchemical and surreal kind. The production of archetypes and primordial and totemic forms begins a tendency that is supported and inspired by two journeys to India and Egypt in 1983 and 1985.

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Artist: Placido Scandurra
The Bat (Pipistrello) - Etching by P. Scandurra - 1976
By Placido Scandurra
Located in Roma, IT
Il pipistrello (The Bat) is a wonderful color etching on paper, realized by the Italian artist Placido Scandurra in 1976. A wonderful mix between figurative and Abstract art, signe...
Category

1970s Contemporary Placido Scandurra Abstract Prints

Materials

Etching

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Placido Scandurra abstract prints for sale on 1stDibs.

Find a wide variety of authentic Placido Scandurra abstract prints available for sale on 1stDibs. You can also browse by medium to find art by Placido Scandurra in etching and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the contemporary style. Not every interior allows for large Placido Scandurra abstract prints, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Leo Guida, Antonio Corpora, and Nicola Simbari. Placido Scandurra abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $392 and tops out at $392, while the average work can sell for $392.

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