Raúl Valdivieso Sculptures

W. R. Stevenson's abstract bronze sculpture titled "Bird". The unique sculpture stands on a sleek wooden base and has a plaque that includes the artist and title. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

Cubist Nude Patinated Bronze Sculpture. Dominique Polles' bronze sculptures of female nude edition 2/4 patinated bronze signed and dated 1999. Born in Paris in 1945, young Pollès of...

This engaging bronze sculpture on black wooden base, well represents a human bust, but for its expressive force, the bust turns into an abstract shape of it. The artist who created t...

Nude Man Holding Crystal Ball White Sculpture Modern cement, plaster, clay sculpture of a man holding crystal ball painted white, Signature not found. Ab...

Lili Mirante (Paris, 1966 – last picture in the gallery) is a woman artist who lives and works in Paris. Born into a family of artists (her father was a renowned watercolorist), she ...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

This polished bronze bust is sealed with Glasurit- a car finish that is baked on. It prevents the sculpture from tarnishing or yellowing. All you need to do is dust with a soft cloth. This bust is from a full figure wood sculpture...

Nando Kallweit’s "Amici V" is a contemporary bronze sculpture that captures the essence of unity and connection through its strikingly elongated abstract forms. This modern figurative artwork features three faceless figures standing tall together, their textured surfaces and slender silhouettes evoking a sense of strength and harmony. The interplay of light and shadow on the dark patina enhances the sculpture’s expressive depth, making it a sophisticated addition to minimalist, abstract, and contemporary art collections. Amici V symbolizes companionship, resilience, and shared experiences, resonating deeply with collectors who appreciate art that conveys emotion through form. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Milton Hebald (American, 1917-2015) Lion of Judah menorah bronze on a white marble plinth base signed in bronze 12" H x 10.5" W x 2.5" D Milton Elting Hebald (1917 – 2015) was a s...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out and the sides left open, this discarded barrel takes on the look of a miniature jacket. Coated with a mint green finish, the eroded metal appears as draped fabric, folded back to form a simple collar. The sculpture is finished with the artist's initials stamped...