Riccardo Rosso, Piero Derossi and Giorgio Ceretti Chaise Longues

Modern Oversized Chaise Lounge / Daybed. Upholstered in an off-white fabric.

Adrian Pearsall chaise lounge for Craft Associates c.1960s, USA. The lounge features a curved seat back and rounded seat cushion that rests on four tapered walnut legs with casters. ...

Chaise Lounge Chair by Preview, 1970. Channel tufted original upholstery which as shown in pictures has some tears at the seams in the back. Measures 66" long, 31" wide, 27" tall 1...

A fine contemporary A. Rudin chaise lounge sofa, in grey upholstery, with rolled back and single arm, down and foam filled seat cushion, rising on tapered wood block feet, accompanie...

A lounge chair hand built by us in Norwalk, Connecticut upholstered in a wooly synthetic cotton fabric. This piece features a super comfortable sloping design for ultimate relaxation...

Chaise lounge chair with tufted leather upholstery. Attractive wave shape design with wood legs. Please confirm location

Inspired by the timeless concept of the chaise longue, Geoffrey Harcourt's interpretation from 1970 stands as a testament to modern design. Known as the Cleopatra, this unique Dutch...

Sleek 1970s Hollywood Regency fully upholstered chaise lounge or sofa for Berhardt Flair in the style of Karl Springer or Steve Chase in original tan silk blend upholstery. Great 70s styling with upholstered flared legs, Ogee around base and angled back and sides to the sofa. In fine original condition, some minor marks on feet and to the backs, one lighter spot on the seat. Foam is in perfect condition on this very comfortable chaise, having to back cushions and two pillows. Usable in present condition, if perfection is sought, plan to recover. Retains Bernhardt Flair Division...

Upholstery of this compact and comfortable chaise lounge is in beautiful pale rose color (probably cotton) and has some minor stains Literature: Svenska Möbler, Andreas Siesing.

Edward Wormley for Dunbar chaise longue sofa.

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

The chaise loungeCapitello is contemporary archaeological finds that can be left out in the weather thanks to a particular finish which is suited also to outdoor use. Or displayed in...