Richard Faralla Figurative Sculptures

Richard Orlinski - Signed sculpture Simba - The Lion King - Disneyland Out of print edition Dimensions : h18xw10xL10cm Price : 490€ for this sculpture

French Art Deco Porcelain Pigeon Candy Box by Edouard Marcel Sandoz for Haviland Limoges, 1916 A rare and exquisite French Art Deco porcelain pigeon candy box, designed by the celeb...

A very stylish Austrian Art Deco stylized bronze figure of a wading bird by Richard Rohac (Austrian, 1906-1956) made in Vienna in the early 1930’s. Rohac ...

Art Deco French Figural Bakelite Bulldog Cane/Walking Stick with Solid Gold Ferrel  France, circa 1920s A true advanced collector/connoisseur's French Art Deco solid high-karat gol...

‘Stick2’ steel light structure by Stephane Ducatteau, France 2007. Signed. All Ducatteau pieces are available exclusively from Decoratum and are to orde...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

Mid 19th century Spanish wooden painted hand carved figure sculpture of a saint holding a long stick.  

A whimsical colorful glass mask with a woodpecker by the noted glass artist Ruth Brockmann. It is signed and dated 96. In very good condition.

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle #27 is raku-fired, hand built and hand sculptured. This piece is made of three separate pieces of green rust patinaed wood fired stoneware. "In his process, Hirsch is a reducer, endlessly honing and refining his forms to their simplest and most powerful presence. It is the same “less is more” aesthetic evidenced by the work of Noguchi, Brancusi, and Giacometti, artists he holds in greatest esteem. His content is principally the vocabulary of form, color, and surface, subtly referencing utility while defying overt narration and cultural specificity. A mortar and pestle like this one, for example, might be discernible in a piece, but presented with such economy that it becomes only important as a stand-in for larger issues; their anima/animus relationship or as a record of human use and wear over considerable time. For Hirsch, the particular only exists for the purpose of making the universal palpable. His is a point of view similar...

Fine white Bisque Porcelain of a Classical Figure woman dancing in a Greek style chiton by Richard Eckert famed artist at the Volkstedt porcelain manufa...

Contemporary American ceramic artist Richard Hirsch and glass artist Michael Rogers' Figure Sculpture was created in 2007. This sculpture is comprised of a cast glass head...