Robert Freimark More Prints

Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...

Color 3-D lithograph in Plexiglas box, Edition 50 Red Grooms revisits the rich subject matter of his New York City neighborhood in his new three-dimensional lithograph “Extra! Ext...

The limited edition lithograph BOSTON PUBLIC GARDEN is a stylized Boston park landscape scene that combines the real and the surreal. Created in 1990 by the Iowa born artist Jim Buckels(b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. BOSTON PUBLIC GARDEN was printed using hand lithography techniques(not a photo reproduction or digital print) on archival Arches printmaking paper displaying very fine details and superb craftsmanship. BOSTON PUBLIC GARDEN is an intriguing, imaginative composition with delightful city park imagery including the famous swan boats...

By David Hockney These lithographs are taken from the special edition of Hockney's Alphabet, which is signed on the justification page by David Hockney and Stephen Spender. A copy o...

Color 3-D lithograph, Edition 75. Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with "Mountaintime", followed in 1982 by their first three-dimensional lithograph, "Ruckus...

Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artist above the image of the sculpture 5 4/5 × 4 1/4 inches Unframed Offset lithograph postcard depicting Richard Deacon's 1995 ceramic sculpture "Kind of Blue", in the collection of the Arts Council of Great Britain. This work is hand signed and dated on the front of the image. Very good vintage condition; minor handling and discoloration around far corners (edges) to the card which will easily frame out. Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016). Richard Deacon Biography Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen...

Calder Fleches is a a vintage poster realized after Alexander Calder in the 1970s. Colour lithograph on paper. Not signed Published by Galerie Maeght,...

Calder's Mobiles is a vintage poster realized after Alexander Calder in the 1970s. Colour lithograph and offset on paper. Not signed Published by Galerie Maeght, Paris. Good condi...

Artist: Julian Opie Title: Monique with Evening Dress Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 22" x 16" Sheet Size: 16 1/2" x 11" Image Size: 1...

LESLEY DILL SMALL POEM DRESS, 1993 lithograph on Hindi newsprint 10 x 3 x 2 in. 25.4 x 7.6 x 5.1 cm. edition of 10 image may be slightly different. Please request exact image if int...

A superb impression of this scarce, early color lithograph on Arches. One of only 12 artist's proofs, aside from the edition of 65. Signed, dated and inscribed "Artist's proof" in pencil by Celmins. Printed by Ed Hamilton...

Eight Sculptural Ideas is an original lithograph realized by the British artist Henry Moore (Castleford, 1898 - Much Hadham, 1986). Hand-signed and...