Skip to main content

Roger Vieillard Prints and Multiples

French, 1907-1989

Roger Vieillard was born in Mans, France on February 9, 1907, and was classically educated in Paris. Besides being a noted international tennis player, he worked as a meteorologist in the army in 1930. In the early 1930s, he began to make wire sculptures, as Alexander Calder had done earlier and in 1934, he met Stanley William Hayter who showed him how to use the burin to create an active line on copper. He began working in the evenings at Atelier 17 and formed a close friendship with Hayter and printmaker Joseph Hecht. In 1931, he took a position with the Banque Nationale pour le Commerce et L’Industrie. In 1937, he opened his press with artist Georges Lecoq-Vallon and published his first of many illustrated books, Apollinaire’s Salomé. Vieillard married American artist Anita de Caro in 1938 and began working in his studio producing illustrated books while continuing to exhibit with Atelier 17. In 1940, he was conscripted into the army, working as a meteorologist in the French Army. Over the next 40 years, he continued to create prints, both as unique artworks and as illustrations for his own Livres d'artiste. In the early 1960s, he began to create plaster prints a technique that had been experimented with at Atelier 17 in the 1930s. He retired from the bank in 1967 and was elected president of the Société Peintres-Gravures Français in 1970. Vieillard created 332 prints between 1934 and 1989 and his work is represented in museums in France and the Museum of Modern Art and the Metropolitan Museum in New York. Vieillard died in Paris on March 1, 1989.

to
1
4
Overall Width
to
Overall Height
to
2
1
4
1,219
973
913
840
4
4
3
1
3
2
2
1
1
1
1
3
1
2
2
Artist: Roger Vieillard
original etching
By Roger Vieillard
Located in Henderson, NV
Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and...
Category

1940s Roger Vieillard Prints and Multiples

Materials

Etching

Surrealist Horse - Original Etching, 1946
By Roger Vieillard
Located in Paris, IDF
Roger Vieillard Surrealist Horse, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 25 x 32,5 cm (c. 9,8 x 12,7 inch) Edition limited to 300 copies (unnumber...
Category

1940s Surrealist Roger Vieillard Prints and Multiples

Materials

Etching

Roger Vieillard, Untitled, from Alternation, 1946
By Roger Vieillard
Located in Southampton, NY
This exquisite etching by Roger Vieillard (1907–1989), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier...
Category

1940s Modern Roger Vieillard Prints and Multiples

Materials

Engraving

Roger Vieillard - Surrealist Horse - Original Etching
By Roger Vieillard
Located in Collonge Bellerive, Geneve, CH
Roger Vieillard - Surrealist Horse - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Roger Vieillard was born in Mans, France on February 9, 1907 and was classically educate...
Category

1940s Modern Roger Vieillard Prints and Multiples

Materials

Etching

Related Items
Cypriano (A Basque Boy)
By Gerald Leslie Brockhurst
Located in Middletown, NY
Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...
Category

Mid-20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Handmade Paper, Etching

Chicago Skyline
By Paul Schumann
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category

Early 20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Handmade Paper, Etching, Drypoint

Chicago Skyline
Chicago Skyline
$800
H 7.17 in W 10.83 in
Steps to the Grand Canal, St. Mark s in the distance, Venice.
By Donald Shaw MacLaughlan
Located in Middletown, NY
A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category

Early 20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Category

Early 20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Handmade Paper, Etching, Drypoint

New York Skyline
New York Skyline
$450
H 9.18 in W 12.72 in
Cortland Street
Located in Middletown, NY
Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....
Category

Early 20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Drypoint, Etching

Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Category

Late 19th Century American Modern Roger Vieillard Prints and Multiples

Materials

Etching, Drypoint, Handmade Paper

"Grande Irène Vignier" Signed Etching, State Proof, Young Girl, Duthuit 19
By Henri Matisse
Located in Yardley, PA
A superb example of the Matisse’s mastery of line, restraint, and psychological nuance. The sitter, a young girl rendered with the most economical of strokes, emerges from the page w...
Category

1910s Modern Roger Vieillard Prints and Multiples

Materials

Etching

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Roger Vieillard Prints and Multiples

Materials

Archival Paper, Drypoint, Etching

Abbey Church of Jumièges. Elevation and parts of the nave.
By John Sell Cotman
Located in Middletown, NY
Cornhill: J & A Arch, 1819. Etching and engraving on lightweight cream wove paper, 14 7/8 x 9 1/4 inches (378 x 235); sheet 18 3/4 x 13 1/8 inches (477 x 334 mm), full margin. In ve...
Category

Early 19th Century Modern Roger Vieillard Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

The Fair
By James Abbott McNeill Whistler
Located in Plano, TX
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Roger Vieillard Prints and Multiples

Materials

Drypoint, Etching

The Fair
The Fair
$2,450 Sale Price
30% Off
H 9.25 in W 6.5 in D 1.24 in
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Plano, TX
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Roger Vieillard Prints and Multiples

Materials

Drypoint, Etching

Make Fast, Plate 2.
Make Fast, Plate 2.
$1,800 Sale Price
20% Off
H 14.39 in W 9.82 in D 0.5 in
London Bridge.
By William Lionel Wyllie
Located in Plano, TX
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category

1920s Modern Roger Vieillard Prints and Multiples

Materials

Drypoint, Etching

London Bridge.
London Bridge.
$975 Sale Price
22% Off
H 13.13 in W 20 in D 0.5 in
Previously Available Items
Buildings in New-York City - Original Handsigned Etching
By Roger Vieillard
Located in Paris, IDF
Roger VIEILLARD Buildings in New-York City Original drypoint etching Handsigned in pencil Numbered /120 copies On Rives vellum 56 x 38 cm (c. 22 x 15 inch) Bearing blind stamp of th...
Category

Mid-20th Century Modern Roger Vieillard Prints and Multiples

Materials

Drypoint, Etching

Roger Vieillard prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Roger Vieillard prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Roger Vieillard in etching and more. Much of the original work by this artist or collective was created during the 1940s and is mostly associated with the Surrealist style. Not every interior allows for large Roger Vieillard prints and multiples, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Henry de Waroquier, Francis de Saint-Genies, and Mayo (Antoine Malliarakis). Roger Vieillard prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $1,297, while the average work can sell for $323.