Romeyn de Hooghe Collectibles and Curiosities

An early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat Major, et...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Great image of RMS Campania Chromolithograph Published C.1890 Unframed.

Wonderful print of St Henry II Illuminated Chromolithograph Published circa 1880 Unframed. Foxing to the margin Free shipping The measurement is the paper size

Lithograph on paper made in the 1990s by the Ludovici typography in Rome from a painting depicting Time Star winner of the 1994 Italian Derby, mounted by Richard Quinn...

Lithographic print of the fight of the French frigate Minerva against two vessels and an English frigate on February 2nd, 1779, taken from the book Historical Gallery of Versailles 430. Chacoane is the engraver. Original print by Victor Gilbert Théodore Gudin...

Lithographic print of the diamond rock battle, the main port of the island of Martinique, taken from the book Historical Gallery of Versailles 112. Chacoane is the engraver. Original...

Lithographic print of the Naval Battle of Beziers on 10th July 1690, taken from the book Historical Gallery of Versailles 319bis. Skelton is the engraver. Original print by Victor Gilbert Théodore Gudin...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...