Romeyn de Hooghe Religious Items

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Lithograph on paper made in the 1990s by the Ludovici typography in Rome from a painting depicting Time Star winner of the 1994 Italian Derby, mounted by Richard Quinn...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Lithographic print of the Naval Battle of Beziers on 10th July 1690, taken from the book Historical Gallery of Versailles 319bis. Skelton is the engraver. Original print by Victor Gilbert Théodore Gudin...

Extremely rare copy of the Venezuelan Declaration of Independance 'Declaracion de Independencia de las Siete Provincias Unidas de Venezuela en Congreso de 5 de Julio de 1811' By Lorenzo Lüthy (c. 1811-1877), printed in Philadelphia, Peter S. Duval, 1841. Lithograph on laid paper, mounted in passepartout, H. 84 x W. 64.5 cm (with mount H. 96,5 x W. 77 cm.) Large and extremely rare lithographed broadside Declaration of Independence of Venezuela by American immigrant...

A fine antique of the colony of Pennsylvania. Noted at the top of the sheet as a 'Map of the province of Pensilvania'. This undated and anonymous map is thought to be from the Gentleman's Magazine, London, circa 1775, although the general appearance could date it to the 1760's. The southern boundary reflects the Mason-Dixon survey (1768), the western boundary is placed just west of Pittsburgh, and the northern boundary is not marked. The map has a number of reference points that likely refer to companion text and appear to be connected to boundaries. The western and southern boundaries are marked Q, R, S, for example. A diagonal line runs from the Susquehanna R to the Lake Erie P. A broken line marked by many letters A, B, N, O, etc., appears in the east. There are no latitude or longitude markings, blank verso. Framed in a shaped contemporary gilt wooden frame and matted under a cream colored matte. Bearing an old Graham Arader Gallery...

Lithograph on paper made in the 1990s from a painting depicting Antelami winner of the 1962 Italian Derby, ridden by Bruno Agriformi. With frame 66.5x61 cm, frame thickness 1.5 cm. V...

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting Houmayoun, winner of the 1990 Italian Derby, ridden by Santiago Soto. With frame 66...

A very stylish "View of the Center of Paris Taken from the Air" lithograph map published by the Paris Ministry of Tourism, circa early 1950s. The piece measures 27" x 43" and shows...

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting Zaizoom winner of the 1987 Italian Derby, ridden by J. T Quinn. With frame 66.5x61 ...

Framed antique hand-coloured map of the Republic of Genoa including the duchies of Mantua, Modena, and Parma. Europe, late 18th century. Dimension: 25...