Rory J. Browne More Art

ROBERT KENNETH WHITE – "RACING THE TEMPEST" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display DRAMATIC MARITIME SCENE BY ROBERT KENNETH WHITE In "Racing the Tempest," Ro...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

Traditional Oil Painting of the English Countryside with River Otters by Modern British Landscape Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Untitled Landscape is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the water-filled sky and saturated ground in full view. Here, Perkinson chose to depict the beauty and calm of the rain, with an expansive view of a lush landscape. Women are holding umbrellas in the middle ground with their young children enjoying the feeling of rain drops. A pond just creeps into view from the right and the edge of town can be seen in the distance, just over the trees. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1983 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 40 INCHES Frame Dimensions:* 28.5 x 44.75 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN A CARVED CUSTOM ANTIQUE-FINISH GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

ROBERT KENNETH WHITE – "PACIFIC HORIZON" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A TRANQUIL VIEW OF THE CALIFORNIA COASTLINE IN EARLY LIGHT In “Pacific Horizon,...

ROBERT KENNETH WHITE – "DUNES AT MIDDAY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A CALIFORNIA DUNE SCENE IN NOONTIME STILLNESS A luminous study in natural rhyth...

ROBERT KENNETH WHITE (B. 1950) – "CHANNEL ISLANDS I" Oil on Canvas ⚜ Signed ⚜ Frameless Display A VIBRANT TRIBUTE TO THE CALIFORNIA COASTLINE A brilliant evocation of light and form...

ROBERT KENNETH WHITE – "CABIN IN THE PINES" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TWILIGHT FOREST RETREAT WITH WARM INTERIOR GLOW Set deep in the quiet of a moo...

ROBERT KENNETH WHITE – "THE SEA REMEMBERS THE SKY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A COASTAL STORMSCAPE OF LIGHT, WATER, AND MEMORY In "The Sea Remember...

ROBERT KENNETH WHITE – "SANCTUARY OF THE SEA" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MYTHIC SEASCAPE WITH FANTASTICAL ARCHITECTURE In Sanctuary of the Sea (2015), Robert Kenneth White presents a visionary coastal realm—part ancient city, part imagined utopia. Classical domes and soaring towers rise from lush hillsides and rugged cliffs, their golden light and crisp detailing reminiscent of both Mediterranean antiquity and high fantasy world-building. Rich sapphire waters lap against stone piers as a sailboat makes its way through the tranquil harbor, offering a sense of scale and serenity. Executed in oil with White’s signature attention to atmospheric color and architectural clarity, this large-format landscape blends historical evocation with imaginative escape. The composition feels cinematic and immersive, balancing realism with reverie—inviting comparisons to romantic illustrators like Maxfield Parrish, the architectural surrealism of Simon Stålenhag, or the coastal visions of classical landscape painters. WHY COLLECT THIS WORK? ✓ Dreamlike coastal cityscape rendered in luminous oil technique ✓ Large, immersive horizontal format ideal for major feature walls ✓ Evokes timeless architectural fantasy with painterly realism ✓ A standout for collectors of Maxfield Parrish, James Gurney, or Thomas Cole ARTWORK DETAILS: ▸ Title: "Sanctuary of the Sea" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2015 ▸ Signature: Hand signed on verso ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 19.75 x 39.5 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is known for his richly imagined compositions that merge classical realism with visionary storytelling. His works often blend architectural fantasy with mythic naturalism, drawing comparisons to the luminous worlds of Maxfield Parrish and the immersive landscapes of James Gurney, creator of Dinotopia. White’s painterly technique—marked by soft atmospheric transitions and crisp linearity—recalls Thomas Cole and J.M.W. Turner, while his symbolic, storybook environments resonate with fans of Roger Dean...

"Veil of the Highlands" is a realistic oil painting on linen. The painting depicts a scene of the Scottish Highlands. A grassy trail surrounded by boulders, leads our eye to a cloud ...