Roy Fairchild Art

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Tracey Emin My Heart is With You Always, framed with hand signed and inscribed tag, 2015 Embroidered Linen Handkerchief, Hand Signed, dated and Inscribed in Ink on attached tag Signe...

The unapologetic Portrait of Maya #10 (2024), originally conceived as a monumental 8-foot-tall artwork as part of the Broad Collection 2017, is a bold celebration of love and sexuali...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

KERRY JAMES MARSHALL Set of Six (Six) Scout Series Embroidered Patches, 2017 Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging. Large...

Louise Bourgeois Be Calm Butter or Trinket Dish, 2017 Screenprint on Ceramic 6 × 4 × 1 inches Unframed Stamped by artist's estate, bears printed copyright and name stamp of The Easto...

Mixed media Year: 2009 Signed and dated by hand Size: 23.0 × 16.4 on 28.3 × 20.3 inches COA provided Solo exhibitions (selection) (K)=catalogue (B)=artist book 1992 GO -TO, WMF-Haus/Leipzigerstrasse, Berlin 1995 ÖL,ÖL,ÖL, Croxhapox, Gent, Belgium 1995 COOKIE PARK, Wiens Laden, Berlin (B) 1997 QUIT, Museumsakademie, Berlin (B) 1998 HEAVEN HAS HOLES, Boekie Woekie, Amsterdam, Netherlands 1998 QUALITY STREET, Eine Vitrine, Stiftung Bauhaus Dessau (B) 1999 HEAVEN HAS HOLES, Galerie Barbara Wien, Berlin 1999 0,0 TOTAL, Museum Folkwang, Essen (B) 2000 0,0 TOTAL, Galerie Barbara Wien, Berlin 2001 DOSENZIMMER/BERNSTEINZIMMER (room of cans / room of amber), mit Friederike Feldmann, Galerie Station, Mousonturm, Frankfurt a. M. 2002 MOTORGIRLS, Kunstbank, Berlin 2003 MOTORGIRLS, Galerie Thomas...

Etching and aquatint on paper. Hand signed lower right by Antoni Clave. Hand numbered 58/80 lower left corner. Artwork size 22 x 30 inches. Image size 19 x 27 inches. Frame size...

Richard Bosman Thou Shalt Not Covet Thy Neighbors Goods (The Tenth Commandment), 1987 2 Color Lithograph with hand coloring on Dieu Donne handmade paper 24 × 18 inches Signed and numbered 6/84; with unique hand-coloring Unframed Created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

"Weeping Tree" is an original etching and aquatint signed by the artist Molly McKee. It is edition 2/10 and depicts multiple abstracted figures on the left gazing to the right. 12" x 8.75" art 24.875" x 17.5" frame This surreal etching...