Salvador Dalí Abstract Sculptures

A standing lamp taken from Dalí’s drawings for Jean Michel Frank. With this, Dalí introduced the little drawers at the base of the lamp, an idea he alread...

A standing lamp taken from Dalí’s designs for Jean Michel Frank. The ‘Muletas’ had its beginnings at the surreal stage and is an obsession which persists in Dalí’s works as can be se...

SALE ONE WEEK ONLY “Leda and the Swan” is by Reuben Nakian (1897 - 1986). He was an American sculptor and teacher of Armenian extraction. His works’ recurring themes are from Greek and Roman mythology. Nakian’s small bronzes achieve majesty and power which are not dependent on size and amplitude. With characteristic freshness, he has reinterpreted the classical subject of Leda and the Swan refining it in the Classical-Renaissance-Baroque tradition in a contemporary way. Dr. Robert P. Metzger gives us his aesthetic interpretation of this work which retells the myth in classical hedonism and freedom of expression showing Leda and the Swann prior to her being ravaged and during their first meeting. “The young virgin is fascinated with her new found friend and accepts him in a spirit of playfulness, contentment and wonder. She is dreamily available and shyly seductive as the deceptively tame swan snuggles up to her with its phallic-like neck.” Leda appears composed, placid yet open and available as compared to her more intense and passionate states in other of Nakian’s depictions on the same theme. This was cast at the "Renaissance Art Foundry" in 1978 and is so marked on the base being #5 of 7. It is believed that “no other sculptor of the twentieth century matched Rueben’s heroic renditions with the grand themes of Western Art. His erotic mythological figures exude a joyous energy of gesture and movement which place them among seminal sculptural achievements of the past one hundred years.” Nakian studied at the Independent School of Art in New York City previously known as the Robert Henri School … with Homer Boss...

Indulge in a rare opportunity to own a piece of art history with this Limited Edition Salvador Dali Armchair, featuring the artist's iconic "Invisible Personage" design. One of only ...

One-of-a-kind studio-crafted floor lamp built from repurposed golf clubs, this piece blends functional lighting with bold sculptural art. Actual golf clubs—identifiable by their brand and sizing—have been cut, shaped, and welded into a long neck and wedge-like base in the form of a classic golf club. At its foot nestles a large 5-inch diameter golf ball, cradled among the irons, integrating whimsy and meaning into the structure. The entire lamp is metal, and the weight and feel are substantial. The surface carries a clean white enamel finish that brings a contemporary Pop-Art sensibility to the form. The repaint is recent and mostly even; up close there may be minor mishaps or texture irregularities in the enamel, but nothing that detracts from its visual impact. The lamp is in working order; it emits a bright, directional light pleasing in both ambient and accent settings. Shade is not included, so the form remains clean and undistracted by extras. This lamp is perfect as a centerpiece in a living room, studio, or gallery-like space where it can be appreciated from multiple angles. The strong silhouette, melding sporting equipment with art and lighting, makes it a conversation starter. It pairs beautifully with minimalist decor, warm woods, polished metals, or dramatic accent walls. For collectors and design lovers who prize originality, sculptural lighting, or whimsical Pop-Art hybrids, this floor lamp is rare and memorable. It’s more than illumination—it’s functional art with personality and presence. Incredibly unique studio made golf club lamp...

Beautifully patinated, absolutely exquisite Art Nouveau figural bronze coffee table by C. Conndray. This coffee table is a perfect example ...

Bronze figurative sculpture after Salvador Dali (1904-1989) mounted on black marble pedestal. Measures: 17.75" High x 4.25" Deep x 8.50" Wide This eye-catching bronze figurative sc...

This unique metal sculpture cocktail table features Seandel's fantastic artistic design. Complete with glass tabletop, this studio made coffee table makes a wonderful centrepiece to ...

Bronze sculpture The Resignation inspired by Salvador Dalí, depicting a human head with a hand covering the face, symbolizing withdrawal, silence, and inward reflection. Cast in pati...

Dalilips designed by Salvador Dali for BD design. Two-seat sofa made of polyethylene with rotational moulding process. Color red. Measures: 100 x 170 x 73 H cm. Is the famous sofa in the shape of a mouth which the artist created together with Oscar Tusquets in 1972 for the Mae West room at the Dalí Museum...

The Melting Clock is a bronze sculpture inspired by Salvador Dalí, representing a distorted, fluid clock draped over a slender branch. The abstract, pliant form reflects Dalí’s surre...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...