Sam Uhrdin Landscape Paintings

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father of the also goldsmith, Joaquim Capdevila y Gaya. In 1950 he was invited to The 1950 Pittsburgh International contest at the Carnegie Institute, Pennsylvania, where he presented the painting The Priest, which is currently part of the MNAC collection. A year later the Museum of Modern Art in Panama acquired the work Crisantemos. He was part of the Morera Prize Jury in 1953. Two years later he signed the manifesto that Alexandre Cirici drafted, creating the Institute of Industrial Design, as a member of the IDIB Management Board of Directors. At the request of Lluís Maria Güell, director of the Massana School, he assumed the creation of the Open Jewelery Classroom in 1959, from where he made students think and reflect on the new possibilities of contemporary jewelry. He establishes contacts with the Kunst Werkschule in Pforzheim, a pioneering school...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Vernon Southward was a mid-20th-century painter, born in 1913, associated with the post-Impressionist landscape tradition. Although details of his life remain limited, his body of wo...

Juan Varea (1956) - Almond trees in bloom Riells - Oil on canvas Oil measures 46x55 cm. Frameless. Licensed in fine Arts. Faculty of Fine Arts. Barcelona. His painting is preferab...

Robert Antoine PINCHON (1886–1943) Bord de Seine, automnale Oil on canvas. Dimensions without frame: 27 × 35 cm Dimensions with frame: 45 x 53 cm Unsigned Provenance: Private collect...

Impressionist/Post impressionist style painting 'Sunlit Path' by Scottish contemporary artist JD Henderson, gives us this country garden scene dated 1999 (verso), signed by the artis...

JOHANNES SCHIEFER – UNTITLED [VUE SUR LA BAIE DES ANGES] Oil on Canvas ⚜ Signed Lower Left ⚜ Custom Conservation Frame A RADIANT MEDITERRANEAN VIEW BY POST-IMPRESSIONIST JOHANNES SC...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...

Jacques Martin-Ferrières (French, 1893-1972) La grille d'entrée principale de l'Artaudière, 1945 Oil on canvas Canvas: 36.25 x 28.75 inches (92.1 x 73.0 cm) Framed Dimensions 41.5 X ...

Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an eas...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...