Samuel Saghatelian Figurative Drawings and Watercolors

Wonderful fresh sketch in red ink on an ivory-colored paper, with an autograph dedication "Per Pino Fasio amicia Pittore Wifredo Lam Albissola 1970" . Dated and signed in red ink. V...

"Untitled Female Nude and Male" is a 22 x 17 inches, ink on paper drawing by American Surrealist painter Leon Kelly. The drawing is signed and dated in the lower right, it is matted ...

Que font ces gens is a beautiful modern artwork realized by Salvador Dalì in 1945. China Ink Drawing on paper. Original outstanding drawing realized to illustrate the book "The Labyrinth" by Maurice Sandoz, published in 1945. Signed and dated on the lower right recto. Executed on thick cream wove paper, not laid down and taped to the mount along the upper edge. The upper, right and lower edges are slightly unevenly cut. There are two pinholes towards the upper right and upper left corners. The sheet is time stained and there is a spot of foxing beneath the lower edge of the drawing. There are some remnants from previous mounting at the upper two corners not visible when framed. There are handling marks to the perimeter of the sheet. The ink is strong and well preserved. The artwork is accompanied by authentication of Robert P. Descharnes, Paris 2003, reference archive: D-3461. Prov. Sotheby's Impressionist & Modern Art Sale...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

Leonor Fini Face II, ca. 1960 Ink on paper 11 x 8.5 cm 4 1/3 x 3 1/8 in. 23 x 20 cm 9 x 7 7/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small Faces, April ...

Leonor Fini Portrait, ca. 1960 Ink on paper 14.5 x 10 cm 5 1/2 x 4 in. 37.5 x 33 cm 14 1/2 x 13 in. (Frame included) Unique work Exhibition history: Leonor Fini: Small Faces, Apri...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Amsterdam, 1967. Ink on paper, 9.5 × 12.5 inches; 16 × 19 inches framed. Signed and dated,...

Leonor Fini La Sorcière, ca. 1960 Ink on paper 21 x 15.5 cm 8 1/4 x 5 7/8 in. 41.5 x 36 cm 16 1/8 x 14 1/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small ...

Allan Rohan Crite Animal Illustrations Signed lower left Pen and ink on paper 23 1/2 x 16 inches Brought up in Boston, Crite received his art training al the School of the Museum of Fine Arts and earned a Bachelor of Arts degree at the Harvard University Extension School in 1968. He worked for most of his life as an illustrator in the Planning Department of the Boston Naval Shipyards, retiring in 1976, but continued to paint at the same time. His work has been widely exhibited and well received in Boston, where a square is named after him. Crite's early paintings depict the daily life of Boston's African-American community, a community that was to be transformed in the following decade by urban renewal and housing projects. In his later paintings, magic-realist visions in which a black Virgin and Child ride on public transportation or float above the city streets, Crite used a bright palette rather than the more somber tones of his "neighborhood paintings...

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

Franz Rogler (1921 -1994) studied wood and stone sculpture with Wilhelm Gösser at the Graz School of Applied Arts and attended the master class for painting with Rudolf Szyszkowitz. During his studies he was drafted for military service and, together with fellow artist Hans Fronius, was deployed as a war painter in Austria, Germany, Italy, the former Yugoslavia, Greece and Russia. During this time he completed studies at the Academy in Zagreb and organised exhibitions in Austria. In 1944 he deserted and managed to escape to Switzerland, where he settled in Basel after his internment and came into contact with the Swiss Surrealists of "Group 33" and with the artists Hans Arp, Max Ernst and Meret Oppenheim through his friend Regula Weilenmann. After the end of the war, he studied at the Basel Art School with Walter Bodmer and Heinrich Müller, which introduced him to Constructivist art. In 1947 Rogler returned to Graz and became a member of the Graz Secession. From 1948 to 1950 he studied at the Vienna Academy with Albert Paris Gütersloh, before returning to Graz as a freelance artist in 1950. In 1953 he received the Art Prize of the City of Graz and his works were published in the first issue of the "Surrealist Publications" edited by Edgar Jené and Paul Celan...