Scott Rosenthal

French modern bronzed plaster sculpture of a male nude torso, possibly a Maquette. Unsigned. A bold, well modeled sculpture, with a beautiful patina an...

Striking male nude sculpture executed in bronze with plaster. Unsigned. On pedestal.

Tony Rosenthal Sculpture in painted steel

Rosenthal bronze sculpture. 1965, untitled. Stamped "Rosenthal, 1965." Nice original patina.

Tied Up 31, 2016. (Ceramic, PVC, C. 15.3 in. h x 11.8 in. w x 11.8 in d. Object No.: 3526) Steen Ipsen was born in 1966 in Denmark and lives and works in Copenhagen. He graduated in...

Einar Jónsson sculpture in plaster from the 1920s-30s. Signed Einar Jónsson. About Einar Jónsson (1874-1954) Einar Jónsson, who created many works in a ...

This large work of art molded during the early 1900's is signed by the artist. The winged bearded man is in good condition for its age, and on a solid wood structure. The sculpture...

1950s Italian Modern Plaster Sculpture “Head of a young boy” by Ida Fuà Very important plaster sculpture depicting a young boy by the great italian artist Ida Fuà The boy, caught...

J. Morin Abstract ceramic sculpture by the French artist. Elegant blue white and yellow ceramic colors. Signed under the base and dated 2019. Measures: Height 38cm, large...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Crane sculpture Bill Scott, USA 1991 Walnut, brass lacquer 17 tall x 15 deep and 7.5 inches wide. From an estate of a collector of art from around the United States. Elegant details such as the method used to cut the brass to impart bird feather tuffs behind the head and at the base of neck coupled with carved walnut feathers to the tail show quality studio attention to detail and a high level of professional craftsmanship. Possibly American School art...

A 20th century life size plaster portrait head of Seamus Henry. 2nd half of the 20th century. Very nice quality, this would have probably been a casting from a bronze mould. The ori...