Silvia Jaffe

Abstract Mid Century Modern Marble Sculpture, in the manner of Jean Arp, unsigned, probably American, circa 1950s.

Abstraction. Marble sculpture. Abstract sculpture is non-figurative, it is based on three-dimensionality and relies on texture and geometric shapes, with color as the protagonist ...

Architectural Abstract Marble Sculpture unsigned. modernist. mid to late 20th c. Contact me with any questions or for shipping quotes

Handmade iron sculpture from the 1960s. / unsigned.

Nice and rare sculpture by Curtis Jere, circa 1990 signed and dated, solid raw steel with original patina and oxidation, sitting on solid marble cylinder base.

A very nice abstract marble sculpture by James Phiri, circa early 2000s. The piece has a wonderful patina and measures 12.5"W x 8.5"D x 25.5"H; it is signed on the base. A very cool...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Solid 'Aurora marble' abstract direct carved sculpture from the estate of a private collector in the Florida Keys. This sensual form is attached to...

Murano Bullicante Aventurine Murano glass pear sculpture by Alfredo Barbini. Each fruit-shaped sculpture features transparent and red glass, with the signature Bullicante technique c...

Biomorphic sculpture carved and polished from a block of marble by Orangeburg, NY sculptor Jeffrey Burtch. Executed c. 1980's. Marked with artist's ini...

An big bird ceramic sculpture by Jacques Pouchain France 1960s Atelier Dieulefit. Rare model. Signed under. Report : a small chip on the tail ( please refer to the pictures ) .

This beautiful marble sculpture by Emile Gilioli is made of rose veined marble (white/pink). The sculpture is signed and dated on wooden base. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...