Sir Francis Seymour Haden, R.A. Prints and Multiples
British, 1818-1910
Sir Francis Seymour Haden CMG FRCS PPRE (16 September 1818 – 1 June 1910), was an English surgeon, best known as an original etcher who championed original printmaking. He was at the heart of the Etching Revival in Britain, and one of the founders of the Society of Painter-Etchers, now the Royal Society of Painter-Printmakers, as its first president. He was also a collector and scholar of Rembrandt's prints.to
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Artist: Sir Francis Seymour Haden, R.A.
Sunset in Ireland
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint, Etching
SUNSET IN IRELAND (undescribed state?)
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (British 1818 -1910)
SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII)
Etching and drypoint, signed in penci...
Category
1860s Impressionist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint
"Thomas Haden of Derby" signed original etching, first state
By Sir Francis Seymour Haden, R.A.
Located in Henderson, NV
Medium: etching and drypoint. This is Seymour Haden's etched version of the painting by Thomas Wright of Derby entitled "Edwin the Minstrel". The man in the portrait was actually Sir...
Category
1860s Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
"The Village Ford" signed original etching
By Sir Francis Seymour Haden, R.A.
Located in Henderson, NV
Medium: original etching. Signed both in the plate and in pencil. Catalogue reference Schneiderman 202. Executed in 1881, and printed on laid paper with full margins. Plate size: 7 x...
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1880s Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
"Bit of a River Bank" original etching
By Sir Francis Seymour Haden, R.A.
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and Etchers". Image size: 4 x 6 1/4 inc...
Category
1860s Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
Twickenham Church
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint, Etching
Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 25 5/8). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Toning in the image, otherwise good condition. Signed in pencil. Housed in a 22 x 28-inch archival mat, suitable for framing.
Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850.
He was the first President of the Royal Society of Painter-Echers.
In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category
Late 19th Century Modern Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
$760 Sale Price
22% Off
A Lancashire River.
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category
Late 19th Century Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
A LANCASHIRE RIVER,
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (1818-1910)
A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii)
Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x 22 inches with 3 inch margins.
In very good condition.
According to British dealer...
Category
1880s English School Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
Cowdray Castle (with cows)
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified.
Ref. Cat. Harrington...
Category
1880s Post-Impressionist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint, Etching
"Egham Lock" original etching
By Sir Francis Seymour Haden, R.A.
Located in Henderson, NV
Medium: original etching. Catalogue reference: Schneiderman 21. Executed in 1859; this very nice impression on thin laid paper is from the Gazette des Beaux Arts edition of 1864. Pla...
Category
1850s Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
Vue de La Tamise - Etching by Francis Seymour Haden - Late 19th Century
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.
Titled in the lower
Image Size: 12x28
Very good impression.
Realized by...
Category
Late 19th Century Impressionist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
Cowdray Castle (with Geese)
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Beautiful proof on vergé crème, signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298).
Ref. Cat. Harrington 221; Schneiderman 208.
Category
1880s Modern Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint, Etching
The Cabin
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Beautiful proof on vélin fort, with stamp “Lugt 1048”.
Full margins.
Ref. Cat. Harrington 170; Schneiderman 163.
Category
1870s Modern Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint
Three-tree Farm
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Beautiful proof printed in brown on verge paper, signed by the artist in pencil. Some minor folds on top and bottom of sheet; fold of edition on center of sheet.
Full margins. Ex-col...
Category
1870s Modern Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Etching
Kensington Gardens (The Small Plate)
By Sir Francis Seymour Haden, R.A.
Located in New York, NY
Sir Francis Seymour Haden (1818-1910), Kensington Gardens (The Small Plate), drypoint, 1859, signed in pencil lower right. References: Harrington 12...
Category
1850s Realist Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint
Shere Mill Pond
By Sir Francis Seymour Haden, R.A.
Located in Missouri, MO
Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil.
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Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon.
Biography:
Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher.
He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842.
In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895).
Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last.
Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880.
Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon."
An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...
Category
Late 19th Century Old Masters Sir Francis Seymour Haden, R.A. Prints and Multiples
Materials
Drypoint, Etching
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Schneiderman writes, "this plate and On The Test (Nº24) were done on the same day, this one at noon, the other later in the evening. The scene is of the Test, flowing near the market town of Romsey, before reaching nearby Southampton Bay."
Born in 1818, Sir Francis Seymour Haden was an etcher, collector, and surgeon. He studied at the Derby School, Christ's Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850.
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By Sir Francis Seymour Haden, R.A.
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Windmill Hill is a high common near Swanage which has long served as a landmark for vessels at sea.The image is in the neighborhood of Swanage in Dorset.
In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
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Sir Francis Seymour Haden, R.a. prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Sir Francis Seymour Haden, R.A. prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Sir Francis Seymour Haden, R.A. in etching, drypoint, engraving and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Sir Francis Seymour Haden, R.A. prints and multiples, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Sir Frank Short, Richard Beer, and Hugh Casson. Sir Francis Seymour Haden, R.A. prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $200 and tops out at $1,750, while the average work can sell for $750.