Steven Campbell Art

Late 20th century modernist oil painting of Greco Roman wrestlers done in the classical style. By David Loeb. Oil on handmade paper. Signed on reverse and dated 1989. Loeb was born in 1953 and raised in Chappaqua, New York, David Loeb’s mother and her identical twin were painters, and he has been painting since childhood. He studied with Gillian Pederson-Krag at Cornell University; Reed Kay at Boston University; Louis Finkelstein, Wolf Kahn and Philip Guston at the Yale Summer School of Art and Music; and attended graduate school at Indiana University, Bloomington, where he studied with Robert Barnes...

Wolff’s woodcut of the mythological figure of Prometheus is carved and printed in only two strong colors—black and a fiery red-orange—yet the impact is monumental. The central figure...

signed and numbered lower right edition of 60 Catalogue raisonné 00717 Published by Simmelink Sukimoto Editions Internationally recognized painter and printmaker Alex Katz was born...

Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...

Pointilliste View of Istanbul is a modern artwork realized by Stan Reszka in 1951 Oil on Canvas. Hand signed Stan Reszka. Titled, signed, dated on the reverse. Includes frame. S...

Kcho (Alexis Leiva Machado) (Cuba, 1970) 'Untitled I', 2019 woodcut, silkscreen on paper Intaglio 300 g. 44.7 x 31.2 in. (113.5 x 79 cm.) Edition of 30 ID: KCH-121 Unframed

Donald Baechler Girl with Suitcase, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22

A cool interpretation on The Dude . The Dhude abides is a laid back surfer deep in the curl of a very fine wave. Yeah!

Hair Wave - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in ...

This screenprint, Cultured Woman – Tokyo, is a sharp, knowing example of Art Hazelwood’s satirical voice—stylish, unsettling, and quietly biting. The elongated female figure dominates the composition, her body exaggerated into a narrow vertical column that reads as both fashionable and faintly grotesque. Her pose is elegant yet strained, chin lifted, gaze distant, projecting confidence that borders on caricature. Hazelwood’s line work is incisive and deliberate. The woman’s clothing—fur-trimmed coat, patterned dress, high boots—signals cosmopolitan sophistication, while the acid clarity of her facial features undermines any straightforward glamour. Makeup becomes mask-like; refinement tips into artifice. The palette is cool and controlled, reinforcing a sense of emotional remove beneath the polished surface. At her feet, the small dog functions as a critical counterpoint. It echoes her presence while subtly mocking it, grounding the image in Hazelwood’s characteristic irony. The pairing suggests themes of status, performance, and cultural self-consciousness, with Tokyo serving less as a literal place than as a symbol of globalized style and curated identity. Like much of Hazelwood’s work, the print resists easy judgment. It is neither cruel nor celebratory, but observant—a portrait of modern sophistication rendered with wit, skepticism, and a razor-edged sense of humor. Signed and numbered color woodcut from the edition of 15. Modern woman in Tokyo; signed and titled edition of 15. Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative surrealist figures with a carousel horse. This reminds me of a Latin American Niki de Saint Phalle. Dreamlike imagery. Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

Ex Libris Marta Eterka is a Contemporary Artwork realized in the mid-20th Century.  Colored Lithograph Artwork on ivory-colored paper.   The work is glued on cardboard.  Total dim...