Supaform

This armchair embodies two opposing forces, holding a tension between them as if locking together two distinct identities. Its design encodes a subtle transition — a movement from a ...

The design of Supaform's "Case Study" floor lamp draws inspiration from industrial and mechanical technologies. It incorporates components salvaged from idle machines and mechanisms,...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

This elegant and minimalistic armchair was designed as an addition for "The Disused Collection". The armchair has sectional construction. It makes the armchair easy to fold. The arm...

This Modern chair is made of high quality painted wood, metal chrome frame and Raf Simons upholstery. The "Normative-chair" was created as a par...

The "Normative-chair" was created as a part of the "Normative" collection, which was shown in Milan Design Week 2019. This surreal “Normative” collection makes advances to the Soviet...

This piece is part of Sight Unseen’s 2020 offsite offline coverage. Supaform’s latest collection, a shelf, chair, coffee table, bench, and lamp called Fancy-Routine and debuting at ...

Supaform has created this chair, made especially for the "Collectible" design fair in Brussels. The shiny chair is metal made but it gets a very poetic an...