Susse Frères Mantel Clocks

- Gorgeous French Empire antique clock set - Mantle clock is flanked by two bronze urns on pedestals - Clock is surmounted by bronze fem...

Elegant antique French clock set with mantle clock and matching tazzas Love the salmon pink tone of the marble with grey flecks, great colour and fin...

A Tiffany & Co. neoclassical gilt bronze wall clock "Day & Night" by Louis Valentin Elias Robert (French, 1821-1874) Retailed by Tiffany & Co....

This stunning Neoclassical Gilt Bronze Mantlepiece Clock by Sterling Bronze Co. originates from the United States, Circa 1900. This clock is a fine example of Neoclassical design, fe...

A circa 1920's French black marble mantel clock. Measurements: Height: 15" Width: 12.5" Depth: 6"

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Antique 19th century French Empire style gilt bronze mantle clock. The foliate and fruit engraved gilt-brass dial with enamel painted roman numerals. Inside with eight day movement w...

French figural cherub gilt bronze and marble three piece clock set flanked by gilt bronze marble sphere six light candelabras, central clock fla...

Marked on the dial Furet Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm ...

Antique French eclectic style enamel and gilt bronze clock set French, late 19th century Measures: Clock: Height 41cm, width 30cm, depth 15cm Candelabra: Height 36cm, width 17cm, depth 17cm This gilt bronze and enamel garniture contains a mantel clock and a pair of candelabra, all designed in the charming Belle Époque manner. The mantel clock, supported by a flat gilt bronze base, is constituted of a central plinth surmounted by a cylindrical clock...

A fine mid-19th century gilt and patinated bronze three-piece clock set By Victor Pierret The figural clock of a woman and a bird seated next to a basket of roses above a gilded base designed with flowers. The candelabra with cherubs holding six lights and sitting on a gilt sea shell base...