Swinnertons"Old Wollow" Furniture

A large blue enamel Krenit bowl by Herbert Krenchel.

If you’re looking to make a statement, you’ve just found it. The first time we took the Kashmir XL Bowl out of the kiln we envisioned a gorgeous mound of lingu...

English delftware bowl, London, c. 1770. 5” h. x 12” diam. Having a whimsical pastoral landscape design around the entire exterior. Though referred to...

Vintage majolica large serving bowl was handmade of high fired terra cotta by Ceramica Artistica Solimene in Vietri, Italy. The pieces are hand painted in their trademark Decoro Camp...

Beautiful cream and blue stoneware bowl with blue painted lines around the edges. Marked on bottom. Dimensions: 10.5" diameter 4.25" Tall.

A beautiful sky-blue or turquoise blue pottery bowl with ruffled edge. Great as a standalone piece, as a catch-all, serving bowl, etc.. Dimensions: 9...

19th century blue and white Staffordshire bowl.

Blue & White Exoticism: A Staffordshire Pearlware Chinoiserie Punch Bowl ________________________________________ • Origin: Staffordshire, England • Date: circa 1790–1800 (Late Georg...

Holmegaard Provence blue bowl ø 31 cm. New production. When Per Lütken designed the Provence bowl in 1955, he created a Danish classic The blue bow...

A Charlie Parker gas fired stoneware bowl with a unique nebula glaze. Large and impressive scale-18"diameter. Quick note about the artist: Charlie Park...

Bing & Grøndahl Blue Fluted leaf-shaped bowl. Model number 356. Mid 20th century. Measures: 19.5 x 4 cm. In excellent condition. Stamped. 1st factory quality.

Decorative blue basket bowl designed by Jan Sylwester Drost in 1960s from Poland. Bowl is in very good vintage condition, no damage or cracks. Original glass. Beautiful piece for every interior! Only one unique piece. About the designer: From 1952 Jan Sylwester Drost studied at the Faculty of Glass of the State Higher School of Fine Arts in Wroclaw, in the studio of Stanislaw Dawski (diploma in 1958), from 1959 he worked as a designer at Zaklady Mechaniczno-Optyczne "Opta" in Katowice. In 1960 Drost started working for forty years at the Design Center of Huta Szkla Gospodarczego "Zabkowice" in Zabkowice Bedzinskie, where he was the organizer, designer and design manager. In 1972 he studied in Sweden, he had the opportunity to learn about the work of glassworks in Orrefors, Johansfors, Lindshammar, Sandvisk, Hofmantorp and in Reijmyre glasbruk. He also practiced in the ceramics factories in Rörstrand and Gustavsberg. Also in 1972, he received a scholarship from the Swedish government, he gained knowledge at the Faculty of Industrial Design of the Academy of Fine Arts in Konstfackskolan, at the Centers of Industrial Design in Stockholm and Milan, as well as at the Glass Institute in Växjö. After returning to Poland, he received a two-year creative scholarship from the Council of the Fund for the Development of Artistic Creativity. Drost skillfully combined his technological knowledge of glass pressing with artistic sensitivity, and in the seventies he was granted a patent for a device for forming glass products by extrusion. As a result, vessels with a freely shaped upper rim were created. Drost was constantly involved in coming up with new technological solutions that improved the embossing of patterns. He also experimented in the field of machine processing of the outer surface of the extruder and the inside of the cast iron mold...