Tatsumi Shimura Art

Carlo Carrà Credited Italian Art Deco Colored Drawing 1930s colored drawing inscribed on the back "Promenade" This important drawing, although it is not signed, we can very likely a...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “spring palace paintings,” these ink and watercolor illustrations imagined the sensual delights of courtly life. Taken from an album of erotic paintings, this framed leaf departs from a tradition of depicting lovers in risqué outdoor settings by picturing an amorous coupling in a distinctly Qing-dynasty interior. The uniquely detailed surroundings shed light on the prevailing aesthetic tastes in decor and furniture of 19th-century China. Note the carved wooden headrest, blue and white censer...

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...

French gouache fashion sketch of a casual day outfit, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Certificate of ...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Olaolu Akeredolu-Ale better known as Olaolu Slawn is a British Nigerian artist and designer. He began his career working at Wafflesncream, Nigeria’s first skate shop, catching the at...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

SIR CECIL BEATON, CBE (1904-1980) Ballet Costume Design for Le Pavillon - 1936 Signed and bears wardrobe mark l.r.: Beaton Watercolour and ink on paper 49 by 39 cm., 19 ¼ by 15 ½ ...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me D...

A superb expression of a triumphant free spirit, and the balancing act required to maintain it, this watercolor was created by a woman who embodied female independence—especially rem...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

"Replica" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x 30" inch Edition of 3: 56" x 40" inch * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...