TON a.s. Armchairs

Danish Jens Risom attributed Mid-Century Modern armchairs with new wool felt upholstery, circa 1960s . Button tufted. Tapered legs with minor loses and fading to wood. Good original ...

Professionally restored and re-upholstered rmchairss, model No. 2, designed by Jindrich Halabala and produced in Czechoslovakia from the 1930s by UP Zavody Brno ( the same as the fam...

- good original condition with minor signs of use - Upholstery in good condition with some signs of use - high of seat 47 cm

Iconic vintage Bauhaus black painted bentwood & cane Josef Hoffman Prague 811 armchairs imported by Stendig for Thonet, a set of 4. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, there have been a few small repairs in the caning of all chairs and one chair seat has been replaced completely. It has been replaced with sheet cane and not individually woven. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Early to Mid-20th Century. Much like a fine wine or the Mona Lisa, some things just get better with age… That’s just a fact! Including these iconic vintage black painted bentwood & cane Josef Hoffman Prague 811 armchairs by Stendig for Thonet! Talk about the ability to withstand the hands of time!! This Josef Hoffman 811 chair was originally designed in 1925 but remains a current and fabulous design that is highly sought after today. This set of 4 is comprised of beautiful black painted bentwood frames bearing slender rounded arms, slightly flared legs, and marvelous natural cane seats AND backs!! SPECTACULAR!!! Can’t you just SEE these beauties surrounding your kitchen table, breakfast nook, game table, or simply used as extra seating in the family room? We certainly can! Just the right touch of Bauhaus magnificence to any room and they’re sure to complement your home with their classic, historical excellence, whatever your style whether its Bauhaus, Art Deco, Mid-Century Modern, or Modern!! Josef Hoffman was one of Austria's most important architects and designers and was central to the development of art and design in Vienna. He grew up with three sisters and was nicknamed Pepo. His father was the town mayor and a successful businessman. He was a founding member of the Vienna Secession, a radical anti-historicist movement, and together with Koloman Moser created the Wiener Werkstatte cooperative workshop. A highly individualistic architect and designer, Hoffmann's work combined the simplicity of craft production with a refined aesthetic ornament. Between 1901 and 1905, he designed four villas in Vienna and a sanatorium in Brussels that was called “Stoclet House”, for which he developed a “cubistic” language of form, with an emphasis on straight, unadorned lines. In 1905, he established the Kunstschau with painter Gustav Klimt and, two years later, founded the Deutscher Werkbund. Hoffmann worked well into his 80s, continuing to use the geometric motifs that influenced the art deco style of the 1920s. In 1928 his work appeared in the Art in Industry exhibition held at Macy’s in New York City, where it exerted a strong influence on American designer Donald Deskey. Hoffmann is one of the seminal figures in the modern decorative arts movement of the first half of the 20th century. Stendig was totally the brainchild and passion of Charles W. Stendig. You cannot write or talk about Stendig without explaining Charles. He was a pioneer of import goods in the mid-century. After serving in WWII as a paratrooper, he studied business with emphasis on international trade at NYU and City College of New York. Afterward first working for Raymor, another pioneering distribution company, for about two years, departing to start his own business: Stendig. He opened his first showroom in 1956 in midtown Manhattan. He is credited for sparking America’s interest in furniture from Finland, Switzerland, Italy, and Czechoslovakia. He imported from the likes of Thonet, Asko, and De Sede; and from iconic designers including Le Corbusier, Josef Hoffmann, Eero Aarnio, Tapio Wirkkala, Marcel Breuer, Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi, Carlo Mollino, Carlo Scarpa, and Pier Giacomo Castiglioni to name just a few. By the late 1960’s, Stendig had showrooms in Chicago, Los Angeles and San Francisco with a large headquarters in NYC. They were exciting and good times but short lived. The business was a challenge and when an offer was made by Burlington Industries to purchase, Charles agreed. He stayed on till 1976 to oversee and then retired. I have searched the internet to no avail to find out if a Stendig division is still in operation. But I can only find the Stendig Calendar, the only calendar in MoMA’s collection, which was designed for Stendig by Mossimo Vignelli, still offered. But I am having a hard time deciding who is creating and offering it. I do know Burlington Industries was bankrupt by 2001, purchased in 2003, merged with Cone Mills in 2004 and subsequently into ITG or International Textile Group. But the Stendig name reins as an icon of high style mid-century offerings. Thonet was founded by Michael Thonet. Michael was born in 1796 and was apprenticed by his father to a cabinetmaker. Shortly after he married, Michael opened his one-man cabinetmaking shop creating furniture and cabinetry in the traditional manner by carving the needed parts and then joining them together. In 1830 he began experimenting with bending wood into curved shapes and thus began a successful furniture company that has remained continually in operation for nearly 200 years. Thonet’s early work was very Biedermeier in style and not made for the common man. Gradually his designs became more Art Nouveau. In 1951 his chairs for the Crystal Palace at the London World’s Fair won a prize medal and by the late 1950s he began to make his first “consumer” chair. In 1875, a year before Michael’s death, Thonet’s five factories made 620,000 chairs. Then in 1876 after his death the company became Gebruder Thonet. But all was not roses. In 1869 the Thonet patents lapsed and by 1893 there were 52 bentwood companies in Europe. However, Thonet persevered. They branched out. They merged. They added designs by Le Corbusier and Breuer and alternative materials such as tubular chrome in place of bentwood to their offerings. Business boomed and waned through the years and there was even a Thonet revival, so to speak, beginning in the 1940s on into the mid-20th century. Till today, in the 21st century, Thonet is still a furniture company to be reckoned with almost 200 years later. We are in love with this iconic set of 4 Prague 811 chairs...

Designed and manufactured by the renowned TON furniture maker and lined in burnt caramel colors, this pair of vintage Mid-century modern chairs present an easy-going, yet sober accen...

This is a pair of armchairs designed by the architect Jaroslav Smidek and produced by the TON company during the 1960s, the armchairs have wooden armrests made of bent wood and fabr...

Produced by Ton, Czechoslovakia in late 1980s. The frame is made from beech bentwood. The original cushions and the item are in good original condition.

- carefully refurbished - Newly reupholstered - high of seat 48 cm

This is a pair of type 53 armchairs designed by architect Jaroslav Smidek and manufactured by TON during the 1960s. It features a bent beech frame and crazy timeless colored upholste...

An iconic beech wood armchair designed by renowned Austrian architect Oswald Haerdtl for the Thonet successor, Ton, in 1950. Produced under catalog number 515, the chair has been ful...

A pair of armchairs by Czech furniture designer Jindrich Halabala. This 1930s design is upholstered in an updated beige fabric, the soothing earth tone was chosen to compliment the d...

These chairs were produced by the renowned Czechoslovakian manufacturer TON in the 1960s. Chairs were clearly inspired by Scandinavian aesthetics. The slick, organic shaped armrest ...