Toni Frissell Abstract Photography

David Burdeny Tuileries Garden, Paris, France (Color Photography), 2018 44 x 44 inches - Edition of 10 Archival Pigment Print Signature Label Print only. Ask us for framing options....

David Burdeny Ephemera, Huangshan, China, 2017 Archival Pigment Print Signature Label Print only. Ask us for framing options.

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

Alessandro Puccinelli Mare #331, 2018 Seascape - From the Mare series - Framed 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Edition of 3 Archival Pigme...

David Burdeny Channel Entrance, China, Traverse, 2012 44 x 44 inches - Edition of 10 Archival Pigment Print Signature Label Print only. Ask us for framing options. Also available i...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

David Burdeny Breaking Surf, Hookipa, Hawaii, 2011 Archival Pigment Print Signature Label Print only. Ask us for framing options. Also available in 50 x 50 inches Edition of 3

David Burdeny Estuary, Shark Bay, Western Australia Archival Pigment Print Signature Label Print only. Ask us for framing options. Also available i...

David Burdeny Mesh, South China Sea, Traverse, 2011 44 x 44 inches - Edition of 10 Archival Pigment Print Signature Label Print only. Ask us for frami...

'It's In The Trees I' by Stuart Möller Abstract capture of a trees in a wood.Abstract landscape. An exquisite Limited Edition Archival Pigment Print. Edition Size 3 only this siz...

David Burdeny Mannerport after Monet, Etretat, Normandy, France, 2017 44 x 44 inches - Edition of 10 Archival Pigment Print Signature Label Print only. As...