Travail Francais Clocks

Elegant vintage Art Deco mantel clock with a German Hermie movement, circa 1950s. The clock is in very good vintage condition and holds a...

A quality Victorian Marble mantle clock with black Roman numerals with a white enamel face, the bronzed figural case surmounted by an Elizabeth...

French Art Deco marble mantel clock still in original condition. Bronzed metal, ivory imitation and various types of stone, in the...

Classic Art Deco mantle clock standing on a beige marble base with black inserts. A gilded dog is leaping over the clock. Gilded dial with ‘Deco’ numerals and original ‘Deco’ han...

Art deco ATO clock standing on a three tiered Bakelite base supporting a glass dial with Art Deco style chrome numerals and chrome chapter ring. The movement is powered by a 1.5...

Original condition, perfect working Softwood covered with nutveneer attributed to Kienze

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working).        

Bayard Art Deco Mantel Clock – France, circa 1930 Elegant mantel clock by the renowned French maker Bayard, dating from the Art Deco period (circa 1930). This timepiece features a p...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

French Art Deco mantel clock set in the style of Sue & Mare, France, circa 1925. Marble, brass and glass. Measures: The clock height 11.8" (30 cm), width 11.8" (30 cm), depth 3.9" (1...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...