Ulfert Wilke Art

Artist : Romare Bearden Title; Bopping at Birdland (stomp time) Year: 1979 Size: 33 ¼ x 24 inches Lithograph on Arches Paper Edition; Signed in pencil and marked 114/175 (Gelburd/Ros...

A folio sheet from the Album MA by Sándor Bortnyik. Signed in pencil by the artist bottom right, numbered in pencil bottom left, number 50 from the edition of 140. Presented in plain...

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

This lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Leger's works at the Musée Cantini in Marseille in the summer of 1966. Leger ...

This colorful abstract lithographic poster was printed at the Atelier Mourlot on Bank Street in New York City in 1967. Calder is one of the most acclaimed and influential sculptors...

The idea of Ben Nicholson and his circle was to apply constructivist principles to public and private art. Especially, they were against ornaments and advocated for clean lines. Artworks were created with mathematical precision. “Geometric shapes...

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "Summer Waters in Cannes" and it shows the water reflection of one of the most iconic ci...

"#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...

Lithograph, 1967 Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof 62.50 cm. x 46.50 cm. 24.61 in. x 18.31 in. (paper) 33.00 cm. x 33.00 cm. 12.99 in....