Unknown Prints and Multiples

Beautiful Soviet poster of 1979 announcing the Olympic Games of Moscow of 1980. Olympic Games - USSR - Sport

Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

'Algen I' (Seaweeds) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

ANONYMOUS (20th century) Café Collas, Pearls of the Indies, 1927 Original lithograph poster (La Semeuse workshop) On paper, 113 x 74 cm (c. 45 x 30 in) INFORMATION: Beautiful vinta...

Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Taos New Mexico Vintage...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Original Agricoltori Tafanoide Italian vintage poster. Linen-backed and in good condition with edge wear. Colors are still bright and vibrant. Museum linen backed. This is a good pi...

An early artist proof print by Adeline Illingworth (1858-1930). Titled, 'Stephen Langton's Bridge- Headcorn, Kent'. Signed in pencil below pla...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Poster of 4 festival Music Mtodziezowej is original lithography print realized in 1973. Signed on the plate along the right margin: Khuczykouski 73. Good conditions with aged lower...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Very large advertising poster created by the Metropolitan Transportation Authority to promote public transit. Paper Size: 46 x 29.5 inches ( 117 x 75 cm ) Image Size: 37 x 29.5 i...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 15 x 33 inches ( 38.1 x 83.82 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

The circa 1900 poster for Montgolfière Française, produced by the Parisian printing house Clamaron-Graff at 57 Rue de Vaugirard, is a striking example of early aviation art that captures the wonder and excitement surrounding hot air ballooning in the late 19th and early 20th centuries. This poster, promoting a French hot air balloon...

This circa 1960 Soviet propaganda poster is a powerful visual representation of communist ideology, prominently featuring Vladimir Lenin, Friedrich Engels, and Karl Marx—the foundati...

Unknown (In the style of Barry McGee) Judas and Jesus (The last Supper) Lithograph Edition: 4/8 Signed, numbered, dated and inscribed by the artist Size: 3...

Composition is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork is created through confident s...

Original The Rocky Horror Picture Show vintage movie poster, professionally linen backed with original fold marks restored, The Rocky Horror Picture Show. A different set of jaws. ...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

This reproduction showcases an early rendering of the Chrysler Building in New York City, created by draftsman Andy Hickes. The image represents the building before its construction,...

Blue Velvet 1986 Original vintage movie poster One sheet Condition very good Unfolded some very slight surface creasing measures 40×27” inches / 101×67 cm Blue Velvet is a 1986 Ame...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

This dignified lithographic portrait of His Imperial Majesty Tsar Nicholas II stands as a visual tribute to the last Emperor of Russia, created during the final years of Europe’s gre...

Dune 1984 Original Vintage Movie Film Poster One sheet Measures 27 in x 41 inches / 69 cm x 104 cm This is an original, rolled, one sheet movie poster from 1984 for Dune starring Ky...

The 1951 original poster for Paix et Liberté titled Jamais ! Ça. is a powerful piece of anti-communist propaganda, notable for its stark imagery and bold message. Designed during the...

The Godfather - Original 1972 Lobby Card #1 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

Paper Size: 56 x 41 inches ( 142.24 x 104.14 cm ) Image Size: 56 x 41 inches ( 142.24 x 104.14 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible marks Sup...

Signed and inscribed with characters. Presented in a contemporary black frame. On paper.

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

In 1995, American sculptor Donald Lipski was commissioned to design the official poster for the French Open at Roland Garros. Known for his innovative installations and large-scale p...

Bundle of DC Comics posters, including; 1) Superman Poster, 1987, cm. 102x68 Powerful vintage Superman poster issued by DC Comics in 1987 to c...

'Aldborough Anemones' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

A set of 6 vintage color plates published by Schenley Import Corp. depicting Scottish Military officers and infantrymen in full dress. Print Sz: 12 1/4"H x 9 3/8"W Frame Sz: 13 3/8...

Original 1961 poster for Roger Vadim's Please, Not Now! starring Brigitte Bardot. A masterful statement of modernist film poster design, this oversized drive-in poster was acquired d...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

La Grande Masse des Beaux-Arts, also known as the Grande Masse, is the association of students and alumni of the École des Beaux-Arts and architecture...

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 37 x 25 inches ( 93.98 x 63.5 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. Price Refl...

This original Art Deco lithograph from the 1930s captures the elegance and dynamism of tennis during the golden age of the sport. The artwork, crea...

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice with the running White Rabbit. Keywords: Animation, Adventure, Family, Fantasy, Musical, C...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

Decorative Motifs of the Egyptian Renaissance is a vintage chromolithograph by an anonymous artist. Good conditions. The artwork represents Decorative motifs of the Egyptian Renais...

The original 1951 poster by the French anti-communist group "Paix et Liberté" titled "Voter Communiste c'est voter pour l'occupation russe" (Voting Communist is Voting for Russian Oc...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

This vibrant circa 1970 travel poster, issued by the U.S. Department of Commerce, is a bold, joyful celebration of the United States' most iconic cities—filtered through the colorful...

Original The Pit and the Pendulum “Il Pozzo e Il Pendolo” vintage Italian movie poster. Linen backed in very good condition, ready to fr...

A dynamic Japanese woodblock depicting a woman captured with her hands behind her back. Signed and inscribed with characters. Presented in a contemporary black frame. On paper.

Original vintage poster: VINAIGRERIES GENERALS BORDEAUX BASTIDE, FRANCE. A more unique vintage poster that is round. The poster features a sun in the middle in deep red, with th...

Paper Size: 39 x 8.5 inches ( 99.06 x 21.59 cm ) Image Size: 37 x 8 inches ( 93.98 x 20.32 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. For Do...

Keep 'em Flying Hennies Bros Show original vintage military, carnival, and amusement park poster. Created during World War Two when entertainment and enj...

Original Italy bicycling travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you ...

Vintage Poster Inter-Art-Galery Exhibition is a vintage poster realized in 1987, for the exhibition held at Inter Gallery. Vintage offset and lithograph poster. Good conditions. Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985). Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk...

Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...