Unknown Abstract Prints

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupfe...

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

Decorative motifs of the French Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorat...

Gothic Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Gothic Decorative motifs i...

Abstract limited edition lithograph by artist Ed Moses. Excellent piece for art collectors or NEW art collectors. It is hand signed by the artist. Note: It will require a slight...

Suggestive of the misty cool colors and contours of the Pacific Northwest, this scenic framed lithograph is numbered #5 of 40. Let it inspire a restful palette for the bedroom. Sign...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

A vibrant abstract piece in blue, black and white depicting Tummel Bridge. Label verso with title and artist inscribed. Presented in a black frame. On paper.

Artist: EZ Title: Untitled Year: circa 1995 Medium: Acrylic on linen Size: 13 x 17.5 inches Condition: Excellent Inscription: Signed in gold ink Notes: Original painting. EZ paintin...

Poster of 4 festival Music Mtodziezowej is original lithography print realized in 1973. Signed on the plate along the right margin: Khuczykouski 73. Good conditions with aged lower...

Composition is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork is created through confident s...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

The Clan Lamond Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

Detroit car lovers will find this work by a young Detroit artist-- unique and collectible. It is a signed print stretched on canvas that measures 20 x 24....

This lithograph is part of my private collection. The artist name could not be translated, so artist is unknown. It has beautiful fall colors, with a boy of water in the background. ...

Contemporary School, Blurred Fruit, Chromogenic Print in Colors on Acrylic panel, sky blue ground with pale central image of fruit, apparently unsigned, unframed. 40" H x 29.75" W. P...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 –...

Obra sobre papel

From the estate of Jerry and Ruth Opper "Cave Drawings" 1950 Stone Lithograph on Paper 25"x19.5" paper 21.25"x14.75" site Unframed Titled and dated lower le...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

Sheila Maki , the artist, is Canadian and died in Toronto, Ontario. She enjoyed the challenge of creating original prints through varied processes such as etching and silk-screening...

Decorative motifs of the German Renaissance is a vintage chromolithograph. Good conditions. The artwork represents Decorative motifs of the German...

Muted colors make this abstract special. It is a limited edition titled and signed by artist D.McBride. As always, reasonable prices for framing are available.

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

The Fabulous Moolah, World Champion Female Wrestler Figurative Screen Print Modern figurative print of world champion female wrestler Mary Lillian Ellison (American, 1923-2007), also known as The Fabulous Moolah. The artist of this print is unknown. Unsigned and undated. Presented in a modern frame with Plexiglass. Image size: 26”H x 20L". During her lifetime, Moolah was lauded as a leading figure in women's professional wrestling and was considered one of the industry's greatest wrestlers. Moolah's first World Championship reign lasted over ten years. Moolah successfully defended the belt against the top female wrestlers in the world, such as Judy Grable and Donna Christanello, while also purporting to befriend some of the biggest celebrities of the day such as Elvis Presley and Jerry Lee Lewis. She became the first woman to be inducted into the WWF Hall of Fame in 1995. In 1999, she became the oldest champion in the history of professional wrestling when she won the Women's Championship for a final time at age 76 in 1999. Championships and Accomplishments: Cauliflower Alley Club Ladies Wrestling Award (1997) National Wrestling Alliance NWA Women's World Tag Team Championship (2 times) – with Toni Rose NWA World Women's Championship (5 times) NWA Hall of Fame (Class of 2012) Pro Wrestling...

Unsigned. On laid paper.

Abstract composition is an original modern artwork realized by Artist of the mid-20th century. Mixed colored drawing on paper. Hand signed on the lower margin. Includes frame.

Henryk VI na Lowach vintage poster is an offset print on paper realized by Polish Artist in 1974. Original colored offset. Good condition and aged. Print: Polish Artist The artw...

Compositionl is an original Contemporary Artwork realized in the early 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total di...

Patterns and Decorations of the Italian Renaissance is a beautiful cromolitograph realized after motifs by Modes & Mendels in the Central Librar...

Dancing figure in the darkness is an original lithograph on white paper realized by an Anonymous artist in the 1960s. In very good conditions. The artwork is created beautifully t...

Unknown Artist - Abstracted Screen, Medium: Lithograph, Image Size: 12 x 12.5 inches, Size: 15 x 16 in. (38.1 x 40.64 cm), Description: Signed "Kathy Salleut" in pencil lower right

Earth tones, an abstract lithograph by an unknown artist (American, 20th Century). Presented in a metal frame. Signed indistinctly and dated "92" lower right. Titled lower middle and...

Composition is an original lithograph realized by an anonymous artist in the mid of 20th Century. Good conditions. The artwork is depicted in a well-balanced composition.

Composition is an original lithograph artwork on cardboard, realized in the late 20th Century. Hand-signed on the lower right. Numbered on the lower left, Edition II/XX. The stat...

Composition is an original artwork realized by an unknown artist of the late 20th Century. Lithograph on ivory paper. Good conditions. Illegible signature in pencil on the lower r...

.Decorative motifs of the Chinese Renaissance is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs of the Chine...

Theater Wielki-Warsaw is an original vintage poster realized in 1973. This poster was completed to advertise a ballet. Good condition.

A striking modernist etching with aquatint. Inscribed 'E.A.' meaning 'épreuve d'artiste' or artist's proof. Dated and indistinctly signed in graphite to the lower right. Smartly pres...

Artist: "Ariel" (unknown woman artist) Title: ABSTRACT TEAPOT, ORGANIC FORM, Set of 2 Signed Lithographs Medium: Lithograph on printmaking paper, 100% acid free Paper Size: 14 x 11 i...

"Gothic Gables" is an interesting lithograph printed from the original oil by American artist Lyonel Feininger (1871-1956). It was from the Joseph H. Hirshhorn Collection, printed b...

From an important Dallas Texas estate. This artwork is an assemblage of countless hand cut and painted paper triangles arranged to create a captivating geometric depth of field. Th...

Tourist Advertising of Kraków - Poster is an original offset poster print. The artwork was realized to promote Polish turism. Good conditions except for some foldings.

Westerplatte - Polish Manifesto is an original offset poster print in 1973 ca. The artwork was realized for the memoir of 1939 . Good conditions except for some folding and consume...

Composition is an original artwork realized by an artist of the late 20th century. Lithograph on ivory paper. Good conditions. Illegible signature in pencil on the lower right mar...

Signed in graphite to the lower right and inscribed with the print number 3/75. On Japanese paper.

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Abstract Floral Print Illegible Signature - C. Rowland (?) Good Condition Measures 19 in x 25 in.

Untitled, from September Suite by Stephen Buckley, 1977 Additional information: Medium: etching 50 x 65 cm 19 3/4 x 25 5/8 in signed, dated and inscribed 'Artist's Proof 4/10' in pe...

Original Vintage "Rome Qantas" Vintage Travel Poster, Linen Backed, 1960s. Excellent condition. See images. Abstract style design of ancient Roman ruins. An original mid-century...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

This striking Mid-Century Modernist lithograph poster, designed for the Danish newspaper Politiken, is a masterful example of Scandinavian graphic design from the 1960s. Signed by th...

A vibrant abstract screenprint by an unknown artist created in 1973. This work is signed "A. Murray" or something similar but the exact artist has not been determined.

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"