Vera Simons Landscape Photography

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Ships that pass, 1969 - Ocean Photography Ketch Yacht Sailboats America by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Ships ...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

"Inception" Black White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the ...

"Moon Birth 3" Black White Photography 39" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by t...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue ocean SEASCAPE XVII by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of...

This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a d...

This albumen silver print is signed and numbered in the negative. Printed c. 1880s.

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...