Vojtech Tittelbach Art

Ladies chatting in park. man pushes girl on boat swing. Vojtěch Tittelbach ( 1900, Mutějovice - 1971, Prague) was a Czech painter and graphic artist, graduate of the Academy of Fine Arts in Prague, pupil of Max Svabinsky, member of the Umelecka beseda, SVU Manes and Group 58. He graduated from the Academy of Fine Arts and first appeared in the student magazine Trn in 1924. Similar in style to the George Grosz caricatural drawings and paintings of Berlin life in the Weimaar era of the 1920s and the Bauhaus. Initially, it was influenced by social graphics and its expressiveness, later under the influence of Surrealism (The Fallen Knight ). The resurrection of the expressive expression in the circus environment (after the Second World War ) was replaced by the influence of socialist realism in portraits , monumental works (the ceiling of the former Klement Gottwald Museum in Prague) and an illustration (eg Siren Marie Majerová or Marias and other trades Karel Poláček ). At the end of the 1950s, he continued his work on pre-war work and achieved artistic synthesis in paintings from sports and everyday life. His pupils included, for example, Ludmila Jandová, He has exhibited with Tavik Frantisek Simon...

Man in bowler hat, ladies in hats out shopping. Vojtěch Tittelbach ( 1900, Mutějovice - 1971, Prague) was a Czech painter and graphic artist, graduate of the Academy of Fine Arts in Prague, pupil of Max Svabinsky, member of the Umelecka beseda, SVU Manes and Group 58. He graduated from the Academy of Fine Arts and first appeared in the student magazine Trn in 1924. Similar in style to the George Grosz caricatural drawings and paintings of Berlin life in the Weimaar era of the 1920s and the Bauhaus. Initially, it was influenced by social graphics and its expressiveness, later under the influence of Surrealism (The Fallen Knight ). The resurrection of the expressive expression in the circus environment (after the Second World War ) was replaced by the influence of socialist realism in portraits , monumental works (the ceiling of the former Klement Gottwald Museum in Prague) and an illustration (eg Siren Marie Majerová or Marias and other trades Karel Poláček ). At the end of the 1950s, he continued his work on pre-war work and achieved artistic synthesis in paintings from sports and everyday life. His pupils included, for example, Ludmila Jandová, He has exhibited with Tavik Frantisek Simon...